Tuesday, 17 November 2015

ANATOMY AND PROGRESS

Kalisantrope are a young prog band from Rescaldina, a small town in the province of Milan. The band was formed in 2013 with a line up featuring Noemi Bolis (bass), Alex Carsetti (drums) and Davide Freguglia (keyboards). Soon after they met, they begun to work on some original compositions and started performing live on the local scene. At the end of 2014 the band self released a very interesting debut EP entitled Anatomy Of The World, with a very simple packaging and a nice artwork. The album is completely instrumental and the overall sound could recall bands such Emerson, Lake & Palmer or Le Orme but it would be unfair to define them as clones of someone else. In my opinion their song-writing is absolutely brilliant and these young musicians deserve credit.


The opener "Varroa Destructor" starts just by drums and bass, then the keyboards bring in a disquieting, dramatic atmosphere. The title refers to an external parasitic mite that attacks the honey bees and that can only thrive in a honey bee colony. It attaches to the body of the bee and weakens its prey by sucking hemolymph. A significant mite infestation will lead to the death of a honey bee colony, usually in the late autumn through early spring... Well, here the music has an ethnic, tribal flavour and you can almost feel an impending, threatening event looming on the horizon!


Next comes "Hypophysis" that starts by an evocative intro played by the keyboards setting a mysterious, almost spacey atmosphere. The title refers to the pituitary gland, or hypophysis, an endocrine gland, a protrusion off the bottom of the hypothalamus at the base of the brain from where are secreted the hormones that help to control growth, blood pressure and many other functions of the human body...

Kalisantrope

"Holodomor" is another evocative track featuring a dark, almost gloomy mood. The title refers to the "Terror-Famine in Ukraine". According to wikipedia sources, the word Holodomor literally translated from Ukrainian means "death by hunger", or "to kill by hunger, to starve to death". The Holodomor was a man-made famine in the Ukrainian Soviet Socialist Republic in 1932 and 1933 that killed an estimated 2.5–7.5 million Ukrainians, with millions more counted in demographic estimates. Since 2006, the Holodomor has been recognized by the independent Ukraine and many other countries as a genocide of the Ukrainian people carried out by the Soviet Union...


The following "Concept Fading" is lighter and alternates delicate, dreamy piano solo passages with heavier, frenzied sections full of energy with the keyboards backed by a strong rhythm section. It leads to the excellent final suite "She", a long, complex track divided into three parts. The first one is subtitled "Funeral Elegy" and features a classical inspired church like organ solo that sets a dark atmosphere. The rhythm section comes in for the second part, subtitled "1st Anniversary: An Anatomy Of The World", where a steady marching beat fades in a dreamy, reflective passage leading to the jazzy conclusive part, subtitled "2nd Anniversary: The Progress Of The Soul". A great track!

On the whole, I think that this is a very promising debut work that it is really worth listening to. Have a try! You can listen to the complete album HERE

Kalisantrope: Anatomy Of The World (2014). Other opinions:
Michael "Aussie-Byrd-Brother": "Anatomy of the World" already shows great promise, with the young group striking a good balance between a modern sound with vintage Seventies RPI qualities. Some parts remind of the instrumental elements of Le Orme, and, surprisingly, other moments hint at the classical elegance and daring of Triade's sole 1973 album "1998: La Storia di Sabazio"! With fleeting moments of gothic grandeur, brief space- rock diversions, heavier bursts and symphonic flavours also worked in, it's an exciting little start to a potentially great new band to keep an eye on!... (Read the complete review HERE)

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Monday, 16 November 2015

APPLES AND SNAKES

Back To Earth is the second album by Old Rock City Orchestra, a band from Orvieto that began life in 2009. It was released on the independent label M.P. & Records in 2015, three years after the promising debut entitled Once Upon A Time, and confirms all the good qualities of the previous work. The line up is still the same and features Cinzia Catalucci (vocals, keyboards), Raffaele Spanetta (guitars), Giacomo Cocchiara (bass) and Michele “Mike” Capriolo (drums). The overall sound draws on what now is called classic rock, all the tracks are played with enthusiasm and vitality, they're sprinkled with a touch of psychedelia and heartfelt melody and could recall bands such as Jefferson Airplane, Affinity or Circus 2000 without sounding out of date...


The opener "When You Pick Up An Apple From The Tree" is a nice track where the beautiful voice of Cinzia Catalucci is used just as instrument and takes you high on a light flight across a starry sky. Every now and again it reminds me of The Pentangle and is enriched by the electric violin of the guest Laurence Cocchiara that adds a baroque touch to final result. It's linked to the following "Feelin' Alive" where the atmosphere becomes darker and where the music and words depict a girl who lost her soul in a rainy night and now is overwhelmed by sorrow and desperation. She needs help, she needs someone to teach her that there's always time for the last goodbye to life and that suicide can't be a good way out from her troubles...

Old Rock City Orchestra 2015

The following "Rain On A Sunny Day" and "Mr. Shadow" are two tracks full of obscure energy where the music and lyrics evoke deadly shadows looming large on the horizon. They lead to the bitter-sweet "Melissa", a delicate, acoustic song that was inspired by the 2012 Brindisi School Bombing, a bomb attack occurred in Italy on May 19, 2012, when three gas cylinder bombs hidden in a large rubbish bin exploded in front of the Morvillo Falcone high school in Brindisi, killing Melissa Bassi, a 16-year-old girl, and injuring five other students.

Old Rock City Orchestra on stage

Then "Lady Viper" lights the fire of a nightmarish vision evoking an evil, deceiving creature prowling for money and honey. It leads to the suggestive "My Love", that describes in music and words an irresistible need, the urge to join someone or to get something so precious you can't live without it...


"Tonight, Tomorrow And Forever" is about the relativity of time and feelings and here the music and lyrics invite you to catch the day, freeing your mind and leaving behind fears and sorrow. Next comes the dreamy, reflective "Why Life" that in some way blends hope and regret, dreams and awareness of the limits that real life can draw around you. The long title track, "Back To Earth" ends the album with a melancholic mood and an ethereal stroll down memory lane that maybe the beautiful art work by Lucy Ziniac can describe better that all my words...

On the whole, a good album in black and white played on the tightrope of nostalgia but with a close look at the present.


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Thursday, 15 October 2015

AND YET...

Fonetica began life in Mestre in 2011 on the initiative of composer and lyricist Fabio Bello who gathered around him a bunch of musicians who shared his passion for music and committed lyrics linked to the tradition of Italian canzone d'autore. After a good live activity on the local scene and some personnel changes, in 2014 Fonetica self-released a debut album entitled Eppure with a line up featuring along with Fabio Bello (guitar, harmonica, vocals) also Claudio Martinolli (guitar), Douglas D'Este (drums, percussion), Massimiliano Cadamuro (bass, flute, vocals), Riccardo Gallucci (keyboards, vocals) and Silvia Siega (vocals). Some guests helped the band during the recording sessions: Riccardo Scivales (keyboards), Alessandro "Unfolk" Monti (mandolin), Giorgio Cordini (bouzouki), David Boato (trumpet), Giannino Fassetta (bandoneon) and Giuliano Perin (vibraphone, piano) added some nice touches of musical colours to the overall sound and the final result is a good collection of passionate songs and ballads that are worth listening to, even if they are more in the vein of pop rock bands such as I Nomadi than to Premiata Forneria Marconi or Le Orme...


The album opens with three ballads full of positive energy. "Santa pace" (Holy Peace) starts softly, with a delicate sound of flute in the forefront, then the rhythm rises. It's a song against war, inspired by ideals of peace and love... Then "La strada del sole" (Sun Road) invites you to leave behind boredom, old habits and certainties to join the men and women who fight for a change on the streets of the world. Next comes "La legge del branco" (The law of the pack), a song against conformism, consumerism, empty fashions and trivial TV shows...


On "La scuola è morta" (School is dead) the rhythm slackens. It's a piece against the current state of the public education in Italy that depicts crumbling schools and the agony of a system that seems to be going downhill in general disinterest. Every now and again it reminds me of Eugenio Finardi but in my opinion this track is too "pedagogical" and not particularly inspired. The following "La nuova guerra" (New war) is better. It's an antimilitarist song with a dark, threatening atmosphere inspired by a book by Bertolt Brecht, Kriegsfibel (War Primer).


"Inno (canzone politica)" (Anthem - Political song) is a reflective piece about the positive values that can be expressed through good politics. Politics is a word that too often is associated only with power, dirty businesses and corruption but here it means freedom, imagination, a white page where you can write down your ideas for a better society, a white canvas where you can paint a better world giving your contribute to the common welfare, overcoming the differences between left and right... The following "Le parole" (The words) is a nice melodic piece veined of light jazzy touches painted by the trumpet of the guest David Boato featuring lyrics about the need to communicate and the thaumaturgic power of words. It leads to the beautiful, dreamy instrumental "Pianeta blu" (Blue Planet)...


"Aspettare" (Waiting) is a light, melodic song of hope that leads to "Posto in affitto" (Rented place), a piece dedicated to Trieste that tells of a serene period that the protagonist spent in that city. "Pioggia pioggia" (Rain rain) features Latin American flavours and celebrates the love for life through the metaphor of rain pouring down allowing mother nature to blossom. The closer "Eppure" (And yet) is based upon a poem by Luisa Moleri that evokes apocalyptic sceneries of war and nevertheless gives room to hope because peace is what really do want and need the humankind...

On the whole, I enjoyed this album, even if Fonetica's music is not particularly challenging or complex and I know that prog lovers could be a bit disappointed. And yet... Have a try!

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Monday, 12 October 2015

NEO-CLASSICAL ARMONIA

Armonite began life in Pavia in 1996 and in 1999 released an interesting debut album entitled Inuit on the independent label Mellow Records. After a long hiatus, in 2014 the band came back to life on the initiative of Paolo Fosso (keyboards) and Jacopo Bigi (electric violin), two classical trained musicians in love with rock and modern audio-visual arts. For the recording sessions of their new album, The Sun Is New Each Day, thanks to the new technologies who allow working via internet, the line up was temporarily completed with the contribute of British bassist Colin Edwin (from Porcupine Tree) and Dutch drummer Jasper Barendregt while the guest Marcello Rosa played cello on two tracks. The album was produced, engineered and mixed by Paul Reeve in Cornwall, mastered by Geoff Pesche at the Abbey Road Studios in London and finally digitally self-released in 2015 on bandcamp with a nice art work by Cyril Rolando a.k.a. AquaSixio.


The album features nine relatively short instrumental tracks where violin and keyboards perfectly interact with each other weaving charming melodic lines backed by the tight rhythm section. The classical influences are strong but always mixed with gusto and extravaganza, there are no long suites and although the pieces are not overtly complex they are never banal and the music flows away without weak moments. According to the band, some of the pieces were conceived as short soundtracks and some videos were shot to complete in some way the music. It's the case of the nice opener "Suitcase War", suspended between classical tradition and modernity, where you can see in the video the band performing in a virtual, empty opera theatre with the help of a remote drummer...


The following "Connect Four" blends touches of electronica, a bit of folk and brushes of classical taste and leads to the frenzied "G as in Gears" that features a short narrative vocal part evoking a commuter's routine, then comes "Sandstorm" that conjures up Oriental sceneries and ethnic flavours... The overall sound is well refined and the songwriting brilliant and full of nuances, although every now and again light reminiscences of albums such as Jet Leg by Premiata Forneria Marconi or Florian by Le Orme could come to mind the band sound modern and not stuck in the past at all. 


The disquieting "Slippery Slope", the dreamy "Satellites", the hectic "Die Grauen Herren", the delicate, romantic "Le temps qui fait ta rose" and the conclusive, video-game inspired "Insert Coin" complete a coherent and cohesive set that in my opinion is really worth listening to.

The aim of the band is to play their music live as much as possible, that's why you can legally download the complete album for free: the musicians just hope that you will enjoy the music and spread the word out to help them to find gigs around the world, so... Well, have a try and judge by yourselves!

You can listen to the complete album HERE

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Sunday, 6 September 2015

A GOBLIN FUNERAL

Goblin Rebirth is a new germination of Goblin, the historic Roman prog band best known for the soundtracks of horror films such as Deep Red or Dawn of the Dead. The project was born in 2011 on the initiative of two veteran Goblin's members, Fabio Pignatelli (bass) and Agostino Marangolo (drums) and the line up was completed by Aidan Zammit (keyboards, vocoder), Danilo Cherni (keyboards) and Giacomo Anselmi (guitars). The band started performing live some pieces from Goblin's old repertoire but also managed to work on original compositions. In 2015 they finally released a brand new album on the independent label Relapse Records: it's simply entitled Goblin Rebirth and it was conceived as the soundtrack of an imaginary film whose plot is described in the liner notes. During the recording sessions the overall sound was enriched by some guests musicians such as Arnaldo Vacca (percussion), Francesco Marini (cello), Roberta Lombardini (vocals) and Dorraine Zammit Lupi (vocals) and I'm sure that Goblin's fans won't be disappointed by this work...


The excellent opener "Requiem For X" conjures up an atmosphere of mystery. According to the liner notes, it describes a scene where a strange character is observing a funeral ceremony from a hidden spot... Well, the strange character is a goblin who looks at his own final journey towards the pyre. How could it happen? He remembers...


The following "Back In 74" takes you back in time and features vintage sounds that recall Italian seventies scores full of car chases and action... According to the story-line here the protagonist begins a strange experience that drives him across space and time. He relives his childhood and early adult life, he can see all his many errors and feels that he has to follow a new way...

The dark "Book Of Skulls" describes the climbing of a mountain and the discovery, in a palace carved into the rock, of a mysterious book. The protagonist can't understand the symbols written on the pages of the book and their secret message but he puts the book in his pocket and leaves the palace...


The following "Mysterium" takes you through the labyrinth where the protagonist gets lost after leaving the palace. The atmosphere is tense and disquieting, you can feel fear and a sense of loss looming large. The protagonist feels he's being manipulated like a guinea pig in an experiment by an unknown entity...

On "Evil In The Machine" the rhythm rises and the atmosphere becomes almost unreal. The music veers to frenzied electronic soundscapes and here every now and again it reminds me of bands such as the Rockets, Kraftwerk or Alan Parsons Project. What did it happen? Well, you'll never know how, but the protagonist is now trapped into a video game and in this surreal world created by humans he meets a beautiful female goblin: short circuit! The game is over...

Goblin Rebirth on stage

On the following "Forest" the rhythm calms down and we find the new formed couple in a kind of garden of Eden, surrounded by the beauty of nature. Now the atmosphere is relaxed, you can hear a church like organ and the suggestive, ethereal female vocals of the guest Roberta Lombardini while an electric guitar solo evokes a love dream on the dark side of the moon... Is this love?

The Gothic "Dark Bolero" conjures up obscure suspects, sins and betrayals. The music for a while takes you back to the time of Inquisition trying to describe a love that is falling apart, poisoned by jealousy and infidelity. Eventually the protagonist realizes that a goblin can never love and gives up: he just closes his eyes waiting for the end of his painful days on earth...



The closer "Rebirth" marks a new beginning. The protagonist awakes in a new mood, you can here exotic percussion and acoustic guitar passages while the keyboards weave the fabric of a new spiritual dimension. Mr. X is back home now and his family welcome him. He can start a new circle with a new awareness, while his nightmare slowly melts in the light of a new day...

Well, I doubt that this album will ever become the soundtrack of a real film, so all the images are up to your own fantasy that the power of music can stir, you can even elaborate a different screenplay if you like... Have a try!

You can listen to the complete album HERE

Goblin Rebirth: Goblin Rebirth (2015). Other opinions:
Michael "Aussie-Byrd-Brother": A complete rebirth of the Goblin sound may be a bit of an exaggeration, but 'Goblin Rebirth' still sees this version of the band very inspired and determined to impress, and they've succeeded in creating a very confident and distinctive work. It ticks all the right boxes and will easily please faithful Goblin fans, but there's a lavish symphonic prog sound in general, with a gutsy modern edge that already shows Goblin Rebirth forging their own unique dark identity. They not only compliment the other currently active Goblin bands, but they also stand apart on their own merits, and it's a triumph for lovers of the darker side of Italian prog and instrumental prog in general... (read the complete review HERE)

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