After the
successful album with Luis Bacalov, “Concerto grosso per I New
Trolls”, in 1972 I New Trolls released “Searching for a land”
with a renewed line up featuring Vittorio De Scalzi (guitars, flute,
keyboards, vocals), Nico Di Palo (guitars, vocals), Gianni Belleno
(drums, percussion), Frank Laugelli (bass) and Maurizio Salvi (organ,
piano). For this album New Trolls deliberately drew their inspiration
from foreign bands such Colosseum, Deep Purple, Led Zeppelin or
Jethro Tull although trying to keep an original touch while blending
hard rock with classical influences. It's a double album and it's
maybe too heterogeneous and not always convincing but it has some
very good moments. It was released for the international market and
completely sung in English and Italian-Canadian bass player Frank
Laugelli, who replaced Giorgio D'Adamo in the line up, wrote most of
the lyrics signing them as Rhodes.
The opener
good “Searching” begins with a nice acoustic guitar pattern and
the lyrics in my opinion capture the spirit of the whole album that
sometimes seems to lack a definite musical direction... “Travelling,
wish I knew where I was going / Every place now looks the same /
Nothing new seems to come my way / All my life I've been searching
for something... But I'm happy to be free and to be able to weep /
And I'm happy to be me...”.
The
second track “Percival” is introduced by a nice acoustic guitar
arpeggio and features a distant and filtered vocal part that I don’t
like at all. It's a song about time passing by, sometimes you grow up
and finally you realize that along the years you never found what you
were looking for and now that you're old you have even forgotten what
your goal was... “Percival is my name / My kingdom is
wide...”. Good acoustic guitar solo!
“In St. Peter’s Day” is a beautiful acoustic ballad with a peaceful, dreamy atmosphere. The lyrics have religious references and the guitar and keyboards parts here are very good... “All the tears of the world have now been cried / I don't want to hear the screamin' of the crowd... For three times I heard the day bird cry / For three times your love I have denied now / I hear the beating of the hammers crucifying the soul off all summers...”.
“Once That
I Prayed” is introduced by piano and vocals and is another good
track with a strong classical influence. The lyrics and music evoke a
feeling of uncertainty and the need for freedom, an absolute freedom
that could lead even to solitude... “Goin' on my way I was trying
to pray / Something may change into my life / Nothing to say, nowhere
to stay / No hand to hold to keep me warm...”.
The sound of
the organ introduces the rarefied, dilated “A Land To Live, A Land
To Die”, an interesting track featuring a great organ work and an
ethereal, dreamy atmosphere. The pace is slow, almost bluesy in some
passages, and you can dream of a new promised land where to find
peace and rest.
“Giga”
is just a short, nice acoustic guitar track that leads to the
following “To Edith”, another dilated, dreamy track with an
excellent keyboard work that closes the first part of the album. The
lyrics are taken from a poem by Bertrand Russell... “Through the
long years I sought peace / I found ecstasy, I found anguish, I found
madness, I found loneliness, I found the solitary pain that gnaws the
heart / But peace I did not find / Now, old & near my end, I have
known you / And, knowing you, I have found both ecstasy & peace /
I know rest, after so many lonely years / I know what life & love
may be / Now, if I sleep I shall sleep fulfilled...”.
The second
part of “Searching For A Land” was recorded live and I think that
is less interesting, with more hard rock and less classical
influences. “Intro” is a long instrumental track where the
members of the band showcase their great musicianship while the
following “Bright Lights” is an uninspired hard rock track and in
my opinion the weakest on the whole album.
Next comes
“Muddy Madalein”, a hard, bluesy track with a flute solo in
“Jethro Tull style”. The lyrics tell about a man who, while
walking in the street with his child, is puzzled by the meeting with
the prostitute who was his “first shot”.
The long
final track “Lying Here” begins with classical reminiscences
(Gregorian chant, flute and organ passages) that after six minutes
melt into hard rock with clear references to Deep Purple and ample
room for drums and electric guitar solos.
Well, on the
whole “Searching For A Land” might not be a masterpiece but I
think that it is worth listening to and could be an excellent
addition to any prog collection.
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