Tempo senza tempo is the second and last album by the line up gathered in Sardinia by Adriano Monteduro under the name Reale Accademia di Musica. It was released in 2009 on the independent label Delta Italiana and the line up is the same of its predecessor, Il linguaggio delle cose: Adriano Monteduro (music, lyrics, arrangements, keyboards, vocals), Giuseppe Aramo (vocals, percussion), Antonello Monteduro (piano, keyboards), Manuel Muzzu (bass). The overall sound is more varied than on the previous work and, in my opinion, the quality of the compositions is better but it a has nothing to share with Reale Accademia di Musica 1972 eponymous debut...
The ethereal opener “Latenza sogno” evokes falling thoughts that at night get lost into a dreamy blue sea... Then it’s the turn of “Caccia alle balene” (Whaling), a piece against whale hunters, that starts by annoying drum machines and a macarena rhythm and then, luckily, turns into a passionate, melodic environmental declaration inviting you to listen to the beat of the heart of Moby Dick...
On “Paranoia (Déjà vu)” you can find electronic touches and drum machines that contrast with vintage keyboard waves while the lyrics tell of the inner duality hidden inside every person... The following “Vulcano” (Volcano) tries to describe in music and words the feelings and the reflections of a man who, during the night, admires the fiery force of a volcanic eruption...
The lively “Atomo” (Atom) is a short instrumental track with a good interaction between bass and keyboards that leads to the long, evocative “Sogno (Compagno di sempre)” (Dream, companion ever) where music and words paint blurred images, lights and shades, labyrinths of memories drifting away on a misty sea towards never-land...
“Thin Colours” is a calm, short instrumental track for bass and keyboards while “Get Back” (despite the English title the song is sung in Italian) mixes tango and electronica to depict a sensation of fulfilment and spiritual tiredness. Next comes the delicate “Tempo senza tempo” (Timeless time), a reflection about time and its abstract relativity...
“Merlino (Mirddyn)” was inspired by the mythic character of the Arthurian legends. The musical landscape and the subject matter could recall the atmospheres of Alan Stivell’s album the Mist Of Avalon (in particular, Le chant de Taliesin) as they try to conjure up the imagine of the old enchanter and wizard running again through the forest of Kelyddon... The following “African Oldoway” is a nice instrumental track that takes us in another direction (the title refers to the Oldoway human skeleton of the type of homo sapiens found in Tanganyika Territory, in 1913). Then “Attimi” (Moments) ends the album with a reflection about time and space where single moments resound like bouncing pebbles on the waters of life...
On the whole, despite the large use of drum machines and electronic effects, I enjoyed the album. Nonetheless the name Reale Accademia di Musica that Adriano Montedurro decided to revive might be misleading for prog fan. Some members of Reale Accademia di Musica’s original line up did not appreciate this operation and Adriano Monteduro dropped the name after this work releasing other albums in the same style as a solo artist, albums that could be of some interest for prog lovers...
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