The beautiful opener “Eclisse” (Eclipse) features piano, drums, organ and flute leading to a tense and “dusty” atmosphere... “The air is filled with human fear / Drums run after the beating of the hearts... A blade writes on my belly the scream of the people / And the impassive stone drinks blood and vigour...”. The lyrics depict a human sacrifice during an eclipse of the sun. Well, when listening to this track try to imagine the scene of the sacrifice in the 2006 Mel Gibson film “Apocalypto”... Anyway the acoustic guitar brings a sense of hope in the end... “A new light is rising / And it will heat pale and frail shapes...”. A kind of soft, delicate awakening after a nightmare!
Next comes “Delirio (In Do Minore)” that is full of “crazy energy”, while the third track “La torre dell'alchimista” (The Alchemist’s Tower) is a kind of timeless musical journey featuring many changes in mood and tempo: the lyrics tell of a kind of pilgrimage towards a place where you can come out from madness... “Step after step your goal is nearer / You have walked along the fields / And the voice of the river was leading you... Now your journey has come to an end / Here they cure every illness / Now you are in the right place / That’s the alchemist’s tower... Master, cut away the stone / My name is Lubbert Das / I come from a village in the plains / Beyond the river, beyond the walls / I come to cure my folly / Your fame is great / Even far away from here...”. Probably - in the booklet there’s no reference to it - the lyrics were inspired by a painting of Hieronymus Bosch, “The Extraction of the Stone of Madness (The Cure of Folly)” where you can find the words “Meester snyt die Keye ras - myne name is Lubbert Das” (Master, cut away the stone – my name is Lubbert Das). At length, however, this piece sounds just like another wonderful “musical painting” and the voice of Michele Giardino is like a brush adding touches of colours to the music!
“Il Volo” (The Flight) is a soft, dreamy acoustic ballad featuring nice flute work. The lyrics and music try to depict an imaginary flight over a beautiful Irish landscape, “beyond the horizon that you can never reach” and in “fogs sweet as honey”. A nice track followed by “L’apprendista” (The apprentice), a piece full of energy and “brio” that was built upon a theme taken from a symphony for organ by Camille Saint-Saëns... “My world has got a soul too / Simple laws, fragile signals...”. Then the organ introduces “I figli della mezzanotte” (The Midnight Children), another good track featuring a mild, particular Middle-Eastern flavour... “For every snake there is a staircase... Victim and master of my time / I will live inside a tired body...”.
“La persistenza della memoria” is a short, classically inspired piano solo, a delicate interlude that precedes “Lo gnomo” (The gnome), another beautiful classically inspired track where flute and keyboards play joyfully leading you to a fantasy world... “Once upon a time there was a merry spirit / Owner of the wood / Master of the river / He used to live serenely in an enchanted mushroom / Sleeping, smoking and drinking his wine...”.
The last track, the melancholic and introspective “Acquario”, is a perfect finale for an excellent album... “Liquid world lost in a drop / That patiently shapes nature again / While time slowly passes by / And in the water everything is silent / I can hear only my voice...”.
Conrad Leviston: If an Italian retro-prog band sounds good to you on principle, then this album is a safe bet. Time signature changes, keyboard pomp without circumstance and solid songwriting are the order of the day here. And, to my pleasant surprise when I went back to review this album, it appears to have grown on me... Despite all the dissenting opinions, this album deserves to be seen for what it is: not necessarily original, but a well-crafted album nonetheless... (read the complete review HERE)