Sunday, 10 November 2024

FOLLOWING THE BRIGHTEST STAR

Limite Acque Sicure came to life in Ferrara in 2005 on the initiative of Andrea Chendi and Antonello Giovannelli, initially just with the aim of playing covers of historic prog bands from the seventies. After some personnel changes and many years of live activity on the local scene, in 2022 the band released on the independent Minotauro Records label a very interesting eponymous debut work featuring their own compositions in vintage style (and one cover) with a line up featuring Andrea Chendi (vocals) and Antonello Giovannelli (piano, synth, organ) along with Ambra Bianchi (vocals, flute, harp, percussion), Francesco Gigante (bass), Paolo Bolognesi (drums) and Luca Trabanelli (guitars). According to the band, it’s a concept album sui generis where all the tracks follow in some way a common thread: the eternal challenge with the unknown. The art cover gives a clue of the content...

 


The long, complex opener “Sogno d’oriente” (Oriental dream) begins softly but soon heavy electric guitar riffs break the dreamy atmosphere. In fact, the dreams evoked here by the music and lyrics are not those of the folktales narrated by Scheherazade in the One Thousand and One Nights but those of people who try to escape from wars, famine and adversities. Looking for a better place and a better future, some of them walk for miles and miles, crossing borders and rivers while others embark on ships in very bad conditions defying storms and raging waves. Often their hopes collide with reality and what they find at the end of their efforts is just another miserable place, if not death...

The introspective “Terra straniera” (Foreign land) begins by a piano solo passage, the atmosphere is tense and melancholic. The music and words tell of the sense of alienation felt by a person who is cut off from the society around him and feels like a stranger in his own land. What he has to do to overcome his blue mood is to be positive and follow the brightest star in the sky...

A pulsing rhythm introduces the following “Il respiro dell’anima” (The breath of soul), a piece about the mystery of birth, life and death. It depicts a kind of mystical journey that begins from the relationship between a mother and her child and continues until maturity and awareness. All in all, we are nothing but blood and matter in search of the soul...

 


Antico mare” (Ancient sea) begins by the sound of the waves. The atmosphere is relaxed and dreamy. The music and lyrics evoke ancient civilizations and forgotten gods, battles and legends, bold warriors and beautiful women, mighty walls and talking masks, philosophers and poets. The shores of the Mediterranean Sea are full of the signs of a glorious past that still lives in our memories and the hope is that in the future the waves of this sea will bring more beauty and less wars...

Fiamme intorno” (Flames around) is a complex piece about time passing by, regrets and hopes. It begins with a tense atmosphere while the music and lyrics describe a poet who feels that time is standing still. He can’t find the words to express himself, he has no more ideals to fight for. Around him there are ghosts that dance like flames, the time that has passed can not return and the rivers where words once flowed are now dry and full of the dust of the past. Then the tension eases, resignation and bewilderment give way to new energies that fill the inner void of the protagonist. As the artist accepts to live in harmony with his new reality the inspiration comes back... According to the liner notes, this piece is dedicated to the memory of Neil Peart.

 

Limite Acque Sicure on stage, 2022

The long epic “Il giardino del mago” (The wizard’s garden) is a cover of Banco del Mutuo Soccorso and was recorded live. It’s an interesting tribute to one of the bands that inspired them the most and it leads to the last track, “Ti salverà” (It will save you), short, folksy song that begins by a strummed acoustic guitar. It’s a reprise of the last part of the second track, “Terra straniera” where the lyrics invite you to look up and follow the brightest star in the sky, a metaphorical ideal to not get lost in the path of life. According to an interview with the band, it’s a kind of synthesis of this work: as a virtuous attitude to maintain in the passages, in the evolutions of our life and our being, we wanted to propose the pursuit of an ideal, of a star that guides us...

On the whole, an excellent album where vintage sounds and original ideas merge convincingly.

You can listen to the complete album HERE

Limite Acque Sicure: Limite Acque Sicure (2022). Other opinions:
Jose Antonio Marmol: The high quality of this album, in both its musical content and sound, is fantastic and recognizable after the very first listen, which is not that usual when talking about debuts... (read the complete review HERE)

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Monday, 4 November 2024

WILD STRAWBERRIES

Una vita migliore is the fourth studio album by La Coscienza di Zeno and was released in 2018 on the AMS Records label with a renewed line up featuring Alessio Calandriello (vocals), Gabriele Guidi Colombi (bass), Andrea Orlando (drums, percussion), Stefano Agnini (synthesizers, Moog, organ), Gianluca Origone (guitars) and Luca Scherani (piano, synth, Mellotron, Hammond organ, bouzuki) plus the guests Sylvia Trabucco (violin), Alice Nappi (violin), Edoardo Romano (sax), Joanne Roan (flute), Daniela Piras (flute), Davide Corso (sax, clarinet), Marco Callegari (trumpet), Gaetano Galli (oboe), Melissa Del Lucchese (cello), Fausto Sidri (vocals, percussion), Martina Saladino (vocals), Nicola Sannino (vocals) and Alice Scherani (Glockenspiel). It’s an amazing symphonic rock work that draws on the tradition of the Italian historic bands from the seventies to express deep feelings shaping new pieces with an up to date sound and fresh ideas. The beautiful cover artwork, by Genoese artist Jessica Rassi, is linked to the content of the album...

 


The wonderful opener “Lobe iste calabu” sets the atmosphere. It’s an instrumental track that starts by a delicate acoustic guitar arpeggio and goes through many changes in rhythm driving you to unknown, dreamy realms made of sounds and emotions...

The title of the following “Il posto delle fragole” (Wild Strawberries) refers to a famous 1957 Swedish drama film written and directed by Ingmar Bergman and depicts in a surreal way stagnant memories and dreamlike flashes, poignant regrets and the new awareness of an old man, a scientist, who reflects about his past mistakes while trying to seek for a peaceful place to rest. In the end the fog dissolves from his nightmares and he can find the place he was looking for, a place to become a child again...

The lively, folksy “Danza ferma” (Still dance) begins with a strong baroque flavour. The music and lyrics try to describe the unstoppable rhythm of Time that keeps men and women in perennial movement. You can’t help it, you have to keep on dancing as memories flow back and forward and the rhythm rises while the music goes on...

 


“Mordo la lingua” (I bite my tongue) is a tense, melancholic piece about incommunicability. The music and lyrics evoke the image of a little, hot heart that tries to find a shelter form the storms of the outside world with no result. The protagonist drowns in a sea of adverbs and useless words, he can’t properly express himself and keeps on biting nervously his tongue. Without expression skills you risk to become invisible because a man who can’t talk and find the right way to communicate with other people is like a vanishing shadow...

“L’aspettativa del bimbo scuro” (The expectation of the dark child) is an introspective track with strong classical flavours were music and lyrics revolve around the psychological gap between what a man appears to be and his hidden desires and illusions. In every man there’s a dark side, a rebellious child that struggles to emerge on the surface from the deepest shadows of the ego. A dark, blind child that seeks for immorality and slowly retreats in face of the terror of social judgement...

The long, complex title track, “Una vita migliore” (A better life), tells in a very poetic way of a horrible family crime. The new partner of a woman, a seaman, sexually harasses and rapes her young daughter. The woman tries to protect and justify her man. The psychological impact on the girl, as you can imagine, is devastating and the music and lyrics try to depict the victim’s feelings conveying a strong sense of disenchantment and inner discomfort. The girl longs for a better life but now all her dreams are broken, her innocence lost forever...

Then, the beautiful instrumental “Vico del Giglio” closes the album. It’s a track that could recall Banco del Mutuo Soccorso without being derivative and invites you to have another spin...

On the whole, an excellent album and a must have for every Italianprog lover.

You can listen to the complete album HERE

La Coscienza di Zeno: Una vita migliore (2018). Other opinions:
Michael “Aussie-Byrd-Brother”: If you're an Italian prog fan, then La Coscienza di Zeno have once again delivered an album that holds everything you could ask for. They draw from such a rich history of vintage Italian progressive music but effortlessly graft it to a modern setting, and they deliver it all with an exceptional technical proficiency and vibrant imagination. Their previous album `La Notte Anche di Giorno' may still be their defining moment to date, but `Una Vita Migliore' is another classy, luxurious and unpredictable symphonic Italian work from an endlessly skilled band, full of colour and endless personality... (Read the complete review HERE)

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Sunday, 29 September 2024

A DESPERATE DREAM OF FREEDOM

Preda is the third studio album by Mad Crayon and was released in 2009 on the independent AMS Records label. Ten years after their previous work, Diamanti, the band came back with new ideas and a renewed line up featuring Daniele Vitalone (vocals, bass), Alessandro Di Benedetti (vocals, piano, keyboards, percussion), Federico Tetti (vocals, guitars) and Daniele Agostinelli (vocals, keyboards) plus the guest Stefano Crudele (drums). In fact, this album marks an important evolution for the band. The musical fabric is richer, more refined, the vintage influences are still present but updated with a touch of modernity and freshness. It’s a complex concept album about a personal crises set in a dystopic world and the art cover and the pictures in the booklet can give an idea of the musical and lyrical content. Unfortunately there are no liner notes to explain the plot and you have to fill the gaps in the story with your imagination and the feelings that the music conveys...


 
The opener “Re Schiavo” (Slave king) introduces the subject matter. It begins by background voices and a disquieting atmosphere. The rhythm is slow and the lyrics evoke sweet, hard-to-die memories and an old photograph. Then the wind begins to blow, blotting out the dream. The protagonist realizes of being part of a timeless subhuman system, a mountain without a top that will sooner or later crumble. As the rhythm rises you can almost perceive a burst of indignation. Man devastates and ravages his environment night and day without mercy, turning it into a gloomy place. When the rhythm calms down there’s room for a melancholic mood and for an epitaph to humanity before a final surge of anger...
 
The long, complex “Preda” (Prey) is divided into two parts. The first part starts by pulsing bass lines and a funky rhythm, but soon the atmosphere becomes darker, almost suffocating. The music and lyrics tell of an unresting night with the protagonist surrounded by the threatening, oppressive lights of a city that in his eyes looks like a prison. He has to act like everyone else, wearing a mask to hide his true feelings. But now the time has come, he plans to escape and he feels just like a prey... As the rhythm rises the hunt begins and is up to your imagination to follow his efforts. The second part opens with a heavy electric guitar riff and dark organ waves, the protagonist keeps on running and you’re left with the image of a mask hanging from the a willow tree as the wind is blowing. A man is really trying to cheat death or is this just a desperate dream of freedom?
 
“Gabriel” is a melancholic track that evokes faceless shadows and screams drowned out by the noise of civilization. Something is burning without flames and there’s room for regret and rage, sweet memories and gloomy omens... Then comes the beautiful instrumental “Xoanon” that seems to take you on an imaginary journey through space and time. The title refers to a wooden cult image of Archaic Greece associated with the legendary Daedalus...

 

The delicate “L’isola di Sara” (Sara’s Island) brings out aching memories and misunderstood words carved into stone, in places out of reach. The music and words evoke burning scars and painful regrets but there are also melodic hints of hope. The bandcamp special version of the album features a track for piano and narrative vocals that you can’t find on the original CD, “Isola di Sara Intro”. It’s an introduction to this song with the guest Benedetta Degli Innocenti playing the role of Sara, composed for the live version of the album in 2012 but never performed. It’s the letter of a rebellious daughter to her father who once was an idealist and now is part of the system, changed by his part in the ruling power...

“Sovrano dell’illusione” (King of illusion) is divided into two parts. The first part begins by a delicate piano passage, the atmosphere is dreamy and melancholic. The music and lyrics describe the sad reflections of a man of power who becomes aware that his kingdom is just a world gloomy misery where is weakness what keeps men together. He’s alone in his solitude, greediness has turned his rule in a kingdom of tears but now he dreams of a new dawn and turns his eyes to the mountains of the moon, where the illusion is perfect... In the second part the rhythm rises, the sounds are harder but the feeling of confusion and restlessness never goes away...

“Re Schiavo Reprise” concludes the album with a brushstroke of repentance and regret. The protagonist vows to make his best to repair all the errors he made...

On the whole, a wonderful album that is really worth listening to.

You can listen to the complete album HERE

More info:
https://www.facebook.com/madcrayon/

Mad Crayon: Preda (2009). Other opinions:
Jim Russell: In 2009 Mad Crayon reinvented themselves with a much more technically complex and harder edged modern sound on Preda. Most of the Tony Banks inspirations have been replaced by something closer to Ozric Tentacles, D.F.A., Yugen, and even a few bits of Porcupine Tree (Deadwing era, with some metal influence but not quite metal). It is pretty obvious that the guys labored hard over these tracks, they are filled with ambition and complexity... The variety of styles and the wide swings in intensity provide a package that will surely satiate adrenalin seeking prog fans. I think "Preda" is a good album by a very tight band... (Read the complete review HERE)