Showing posts with label Udine. Show all posts
Showing posts with label Udine. Show all posts

Monday, 6 March 2023

MUSIC, PLEASE...

L’anno del contatto is the debut album of I Modium, a band based in Marano Lagunare, in the province of Udine. The album was self-released in 2019 with a line up featuring Silvio Frausin (vocals), Elvio Tavian (electric and acoustic guitar - previously member of Quasar Lux Symphoniae), Alessandro Filippo (keyboards), Michele Seravalle (drums, percussion) and Gianni Regeni (bass, acoustic guitar) and is the result of a long evolution since before the recording sessions the band had been active on the local scene for more than ten years, playing covers of the masters of Italian prog from the seventies such as PFM, Area, Le Orme or BMS and composing new material in the same style. The art cover by Federico Cautero tries to give a clue of the musical and poetic content of this work...



The title track, “L’anno del contatto” (The year we make contact), opens the album. It’s a piece that recalls Le Orme and was inspired by 2010: The Year We Make Contact, a 1984 American science fiction film written, produced, shot and directed by Peter Hyams as a sequel to Stanley Kubrick’s 1968 film 2001: A Space Odyssey. The music and lyrics evoke a message of peace and hope from a mysterious alien power. There are far signals coming from another time and hidden words carried by the wind falling like confetti, when the humankind will heed the message everybody will look up and all the differences and distances between people will dissolve...

“Sorona dove sei” (Sorona, where are you?) is a beautiful, heartfelt tribute to le Orme’s masterpiece Felona e Sorona. The music and lyrics depict a man in the night who looks up to the sky. He’s a prog fan, no doubt! Suddenly an explosion of light makes reality vanish and he can see for a moment Felona and Sorona, the two imaginary planets lost in the universe spinning in balance and harmony like twin roses...

“Un attimo di infinito” (A moment of infinity) is a short, dreamy acoustic piece evoking a sudden warm light that can drive you across a boundless space where rivers of stars will cradle your dreams. Eventually, wrapped in peace, you’ll wake up in the hidden infinite that lies within you...

“La fabbrica del silenzio” (The silence factory) depicts in music and words a gloomy dystopic future where there’s no music and fragments of sound blot out the sun and fall down like ashes. The men no longer sing and a continuous background noise covers those who still try to see, think or speak up. But inside the sound screen a clandestine factory works in the dark and cleanses minds by producing and spreading silence...
 
I Modium, 2019

“Per favore musica (P.F.M.)” (Music, please) is a funny, sarcastic criticism against trashy music broadcast on radio and TV. The protagonist can’t find a single channel he can listen to with pleasure, he’s fed up and begins to think that all the music is over. So he asks to listen to his favourite music again, certain that it will be a real celebration for those who will be there to listen to it…

“L’altra” (The other) is a short, dreamy acoustic track where vocals are used just as an instrument... It leads to the following “Piccoli galli” (Little roosters) where a strange thought begins to fly like in a psychedelic vision and the beat of the heart never stops...

“L’anello del bufalo” (The buffalo’s ring) is an excellent, evocative piece that conjures up in music and words the image of an old sea dog, an experienced mariner with a strong will and a stubbornness that allows him to overcome the adversities of wind, sea and life. He has the looks and strength of a pirate and in his nose there’s a ring, the ring of a Namibian buffalo. I’m sure you will be fascinated by the stories he tells...

The last track, “Rifletto” (I reflect), is a caustic piece that portrays an unscrupulous social climber, a man who talks about things he doesn’t know, a false moralist disguised as a nonconformist, politically ambiguous and always on the winning side. If you look at him in a mirror, you’ll see that he is never the man reflected...

On the whole, a good and passionate album quoting with respect and personality the RPI’s masters!

You can listen to the complete album HERE

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Thursday, 17 December 2015

THE COMET

Ison is the second full length album by Démodé, a very interesting "pocket size orchestra", as they love to define themselves, from Udine. It was self released in 2015, four years after the previous Le parole al vento, with a renewed line up featuring Francesco Zanon (violin), Andrea Zampieri (clarinet), Claudio Colaone (sax), Luca Laruina (piano), Carin Marzaro (bass) and Alberto Zenarolla (drums). In my opinion these four years of gigs and hard work in the studio have resulted in a very mature work where the band showcase all their great talent and musicianship mixing jazz and chamber music, avant-garde and tango, East-European folk and progressive, melodies and dissonances... The result is an excellent instrumental album that is really worth listening to from start to finish!

art cover

The opener "La fuga" (The escape) could evoke a joyful ride in the country after a hard week spent on the workplace. It starts with a nervous passage led by sax, drums, pulsing bass lines and piano, then the music begins to swing towards positive feelings and more relaxed atmospheres until the finale, when some delicate sax lines seem almost wishing you good-night.

"Ison", is darker and full of mystery. The title of this piece refers to the comet ISON, also known as C/2012 S1, a sungrazing comet discovered on 21 September 2012. In 2013 Ison broke apart when it passed close to the sun because of heat and tidal forces... According to the official website, between creation and destruction comets are symbols of metamorphosis and, as the passage of Ison coincided with a moment of deep renewal for the band, they chose to name after it not only this piece but the whole album.


Démodé 2014

"Arturo" is a short track that starts slowly and then evolves in a lively dance with klezmer influences that make me think of Louis de Funès playing the role of Rabbi Jacob in an old French comedy film... The following "Memento" is reflective, jazzy and cinematic. I don't know if this piece was inspired by the film of the same name directed by Christopher Nolan in 2000, but in my opinion it could be a really good score for a neo-noir psychological thriller with such a kind of plot...

The dreamy "Nuances" conjures up ethereal atmospheres and black and white memories. It leads to the magical beauty of "Il sentiero incantato" (The enchanted path) that seems to take you on a mystical trip in the Alps. The evocative music will lead you on a beautiful path, through breathtaking panoramas and ancient woods where rocks, trees and roots conjure up legends and old myths...


The title of the following "Il papiro di Ani" (The Papyrus of Ani) refers to a papyrus manuscript with cursive hieroglyphs and colour illustrations created during the 19th dynasty of the New Kingdom of ancient Egypt and that now lies in the British Museum. Egyptians compiled an individualized book for certain people upon their death, called the Book of Going Forth by Day, more commonly known as the Book of the Dead, typically containing declarations and spells to help the deceased in their afterlife, and this manuscript was compiled for the Theban scribe Ani... In my opinion, here the beautiful music could be a perfect score for a film based upon a novel by Wilbur Smith such as The Seventh Scroll or River God.

Démodé on stage 2015

"Split Inside" is a calm, introspective track featuring classical patterns veined of exoticism and romantic dreams. Every now and again it reminds me slightly of Le Orme's album Florian... Next comes the suggestive "Charlotte" with its sensual Latin flavour and its echoes of tango.

According to the band, the ever changing "Luna indiana" (Indian Moon) was conceived like a crazy radio station that changes continuously tune with irony and absolute nonchalance. It precedes the lively closer "Zucchero sotto sale" (Sugar under salt) wthat blands in a funny way classical passages, jazz and Latin rhythms driving you in a frenzied final dance...

On the whole, I think that this is a really good, mature work. Anyway, have a try and judge by yourselves: you can listen to the complete album HERE


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Wednesday, 2 December 2015

THE RIGHT MOMENT

Blank Forest began life in Udine in 2012 on the initiative of Luca Moreale (guitar, vocals) and Valerio Simonini (keyboards) with the aim of creating original music blending different genres. Later the line up was completed by Michele Di Gleria (drums) and Carlo De Biaggio (bass) and in 2014 the band self released a debut album entitled Kayros. The title of the album refers to a word in Ancient Greek that means "the right or the opportune moment" and that can describe in some way the lyrical content of this interesting work. The overall sound of the band is varied and rich, the music swings from calm, acoustic passages to heavier moments but without growling or screaming voices. Although the vocal parts are not particularly theatrical nor operatic they fit the melancholic mood of the album...

album cover

The long opener "Drawing Lines" starts softly and sets the atmosphere. The music and words evoke melancholy and rage, doubts and determination, pain and rebellion. There are many changes in rhythm, strummed acoustic guitars passages alternate with more aggressive electric parts while the dreamy vocals every now and again remind me slightly of Anthony Kiedis...

Next comes "Passion Brings The Energy" where reflective moments alternate with fiery passages and some echoes of west coast sprinkled with a pinch of exoticism. Suspended between past and future, life appears different and you feel a fire burning inside under the light of a new rising awareness...


The following "Falling Stars" deals with roots and memories that come back. The loss of an important person in your life can't be the end of the world if the light of his (or her) example still shines on you and his (or her) soul can still show the way to follow... Then comes the introspective "Landslip", a disquieting, diluted ballad where dreams turn into nightmares and you can't decide what is real and what is not and where the ground is shaking under your feet on the edge of an impending change...

Blank Forest 2014

The long suite "Crystal Eyes" is the main course of the album. At over thirty one minutes in length, this is a real epic. It's divided into seven parts and is about growing up, trying to heal the consequences of deep traumas, fighting day after day against ghosts and shadows, choosing time after time between good and bad: the music and words drive you through the psychoanalytical analysis of a broken man, beaten by the wild winds of life, a man who now risks to burn out, and is on the edge of suicide... Eventually the short closer "Crucial" ends the album with a final jump into the night on a soft piano pattern.

On the whole, I think that this is a good album and it's really worth listening to. Although the vocal parts might not always be convincing and you could find some passages a bit uneven, the band have a good potential and I'm sure they will do better in the future. Anyway, have a try and judge by yourselves! You can listen to the complete album HERE

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Sunday, 5 August 2012

FASHION IN THE WIND


Démodé are an interesting band from Udine formed by Francesco Zanon (violin), Lucia Soramel (clarinet), Claudio Colaone (sax), Luca Laruina (piano), Carin Marzaro (bass) and Alberto Zenarolla (drums, percussion). The name of the band means “out of fashion”, but their way of crossing the styles does not lead to any old stereotype. On the contrary, they draw on many influences shaping something new and fresh without sounding retro at all!

Démodé 2011

After many months of hard work, in 2009 they self-released a first eponymous EP blending jazz, folk, classical and world influences with a very personal touch. The opener “Il teatro dei gatti” (The theatre of the cats) is a lively track with many changes in mood and rhythm. It begins softly with piano and sax, then the rhythm section and the other instruments come in adding layers of colourful notes. The short, swinging “Jade” is also a good track but in my opinion the best track of this EP is the third one, “Tango!”, that reminds me of the classical atmospheres of Le Orme's Florian mixed with echoes of Piazzolla and Morricone. “Tristeza” concludes, after only 15 minutes, what in my opinion is just a tasteful appetizer..


You can listen to complete EP in streaming. Click HERE

In 2011 the band released their first full-length album, “Le parole al vento” (Words in the wind), confirming their great potential. It's another self-production but the sound quality is excellent and the nice art-work by Carin Marzaro evocative. All the tracks are completely instrumental and flow away one after each other without weak moments. The funny marching beat of the short opener “Circense” sets the atmosphere evoking the lights of a circus show with clowns and acrobats. On the following “Veraluna” (True Moon) the music veers to romance with a gipsy violin under the moon. The mix of Gypsy influences and jazz could make of this track a good score for a film such as Sweet And Lowdown by Woody Allen, where you can imagine the ghost of Django Reinhardt smiling in the background. It leads to the light melodic lines embroidered on the nervous rhythm of the funny “Unobanana”. Next comes the dreamy “Oltremare” (Oversea) that drives you towards new colourful musical horizons.
  

“Pizzica!” is a tarantella dressed up in jazz atmospheres while the following “China Boid” opens with a delicate piano pattern. It's one of my favourite tracks on this album and blends mild Far-Eastern influences with jazz. “Dante” features pulsing bass lines and frenzied passages intertwined with nice violin patterns while “Baciami Elvira” (Kiss me Elvira) evokes old “balere” where you can dance tango or “liscio”. Then comes “Vecchiomondo” (Old world) that could be a perfect score for the investigations of Inspector Clouseau, the protagonist of the series of comedy films The Pink Panther. The following “New Pest” is in the same vein with a darker, jazzier touch and the swinging “Serpenti” (Snakes) concludes an album very rich in ideas and full of brilliant passages.

You can listen to the complete album in streaming. Click HERE

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Friday, 4 May 2012

SYMPHONIC LIGHTS

Quasar Lux Symphoniae come from Udine and have been active for more than thirty years. The band began life 1976 on the initiative of Roberto Sgorlon, Umberto Del Negro and Stefano Vallan. After a first immature demo recorded in 1977 featuring psychedelic influences, The Dead Dream (later re-recorded in 1995 and finally released in 2012) and some line up changes, in 1984 Quasar Lux Symphoniae released a debut album, more hard rock oriented, Night Hymn. The nineties were the most creative period of the band that released albums such as Abraham (1994), The Enlightening March of the Argonauts (1995) and MIT (1999), more influenced by classical music. In 2009, after a long hiatus, Quasar Lux Symphoniae released a new album, “Synopsis”, with a renewed, extended line up featuring Paolo Paroni (keyboards, piano), Fabio Giacomello (acoustic guitar), Elvio Tavian (lead guitar), Marco Filippo (rhythm guitar), Mauro Chiapolino (bass), Fabrizio Morassutto (drums), Ulisse Tonon (keyboards), Annalisa Malvasio (vocals) and Luca Vigneri (vocals). They were helped by two founder members, Roberto Sgorlon and Umberto Del Negro, who contributed to the song-writing: the first composed the music along with Paolo Paroni while the latter wrote the lyrics of most of the songs.


“Synopsis” was conceived as a kind of homage to the different styles the band went through during its long history and is the result of two years hard work in studio. The result it’s excellent, the overall sound is strongly influenced by opera and classical music but maintains a well balanced sense of melody and a pulsing rock background. All the members of the band showcase a great musicianship, especially the two singers, although in my opinion the choice to sing in English could be penalising with this kind of repertoire.

The excellent instrumental opener “Rhapsody and Fugue” is a complex four-part fugue in baroque style: It’s an amazing, well-crafted piece that combines rock and classical music in a perfect way and if you like works such as New Troll’s “Concerto Grosso” or Il Rovescio della Medaglia’s “Contaminazione” I’m sure you’ll enjoy it.


Next comes the dreamy, melodic “Arcano”. It begins with a delicate piano pattern and soaring male vocals.... “They move and then they wait / The world tomorrow, the dark today...”. Then operatic female vocals follow backed by the other instruments... “Sky is crying on me / Illusion is giving me life...”. Well, to be honest the lyrics are not the strength of this piece.

The claustrophobic “Snake Dream” is a homage to the band’s hard rock period. It begins with a powerful church-like organ introduction, then vocals and some good electric guitar riffs come in. The theatrical, operatic voice of Luca Vigneri is quite inspired when he invokes to be released from the fogs of a nightmare... “I feel a strange sensation, different / While in this dream, a snake rolls herself around me... I’d like to go out from here my old friend... What a fog, it’s oppressing my mind...”. A very good track!


“Flighting Thoughts” is built upon a Fabio Giacomello’s acoustic guitar arpeggio and recalls the atmospheres of the album “MIT”. The mood is almost mystical... “The flight became so difficult / While air of mystery is around us, we are the light / Giant thoughts in our time... While we exist you will dream / In every place you will be like the old stones / Hopeful and alone...”.

“Oblivion” is a tribute to the early psychedelic period of the band. The music every now and again could recall Pink Floyd but with a strong classical flavour, while the amazing voice of Annalisa Malvasio invites you to follow her in another dimension, looking for new colours... “Follow me, I will be / I will be your king / Surrounding me, Oblivion...”.

The melancholic “Islemind”, is another melodic piece where interact male and female vocals... “People fade into the sea / As me in my world, tricking this time... I wish to feel love / I’d like to run away...”.


The long, complex “Moses”, is a kind of short rock opera that recalls “Abraham”, the rock opera released by the band in 1994 on a double album. The vocal parts are excellent, Luca Vigneri interprets in a heartfelt, melodic way the feelings of Moses who is planning to leave Egypt... “Pharaoh! You’ll burn with innocent blood! / And nothing will save you... / Between the door’s pain and the moon...”. An excellent finale for a very good album!


Quasar Lux Symphoniae: Synopsis (2009). Other opinions:
Vitaly Menshikov: This music will please any connoisseur of the art-rock genre, unless someone is exclusively into its highly-complicated variants, like Yes’ “Topographic Oceans” or “Brain Salad Surgery” by ELP. Highly recommended... (read the complete review HERE)


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Tuesday, 20 December 2011

ABSURD WALLS

Garden Wall come from Cervignano del Friuli and began life in the late eighties on the initiative of composer and multi-instrumentalist Alessandro Serravalle. During the years the band went through many changes in personnel and style but has always maintained a coherent musical integrity. The present line up features, along with founder member Alessandro Seravalle (vocals, guitars, keyboards), Raffaello Indri (guitars), William Toson (bass), Ivan Moni Bidin (drums) and Gianpietro Seravalle (drum machines). “Assurdo” is their eighth full length work, the third of a kind of trilogy, and was released in 2011 on the independent label Lizard Records. In the studio the band was helped by some guest musicians with excellent results and the overall sound is challenging and extremely rich. You can find here influences ranging from Opeth to Area, from psychedelia to classical and jazz and many more.

Garden Wall 2009

Philosophy, spirituality and literature are an important source of inspiration too in this concept album about “absurdity” as Alessandro Serravalle explains in an interview with Murat Batmaz on the site seaoftranquillity.org: only by the means of something we can call “absurd” we could have a chance to embrace and, while embracing, trying to know, to taste some particle of “"truth”. If we try to catch, to grip the “real” with a somehow violent mental act of possession (which is exactly what the “technical world” tends to repeat over and over again) we’ll almost surely lose it... The instruments we have, to work with absurdity, are paradoxes, oxymoron, hyperboles and other “rhetorical embracing traps for truth atoms” as I like to call them. The music itself gushes from this position too... This leads to my idea of death of pure musical genres. Garden Wall’s music is built by mixing up as many musical influences as possible. It’s the result of both a strong alchemic interaction between different styles of music hurled into a strange particle accelerator to become something entirely new and of an “absurd” self-therapy process involving my inner ghosts. To be cured by one’s own music is indeed quite... absurd!. As for the lyrics, they do not try to tell a story, they are as touches of colour that are meant to suggest emotions and they swing from Italian to English, to German... In the same interview Alessandro Serravalle explains the reason of this artistic choice: every language has its own typical “sounds”, so it’s absurdly interesting to add, to inject this recipient inside the “strange accelerator particle” I was just talking about. There’s not only English and Italian, but also Friulano (my dialect), German, Latin, Greek and French. Of course I can’t actually speak most of those languages, but it’s very fascinating to use them for their sounds. Then there’s the problem of the translation. Sometimes the “soul” of an expression just can’t be translated into another language. Some expressions come to my mind in Italian, some in English, though I’m not an English native-speaker. I want to keep them in their language. Sometimes I make multiple translations of some key words (I worked that way in “Vacuum Fluctuation” for example) in order to reach the core of the key word in question via its different “sonic shelves” in different languages. Although in the liner notes you can find some quotations from maîtres à penser such as the Romanian philosopher Emil Cioran, Guido Ceronetti or the writer Robert Musil do not worry, this is not a philosophy lesson so now relax, listen to the music and let it stir your imagination...


The opener “Iperbole” begins with a sudden burst of energy and “growling” vocals but after a minute the rage stops giving way to an oneiric, psychedelic mood. You can smell the colours and taste the wind while a musical kaleidoscope leads you to the gates of delirium... “You’re mine! You’re mine! Immortal symphonies... I’m close to the other side / So close to the other side / Iridescent membrane...”. The music flows away with many changes in rhythm and atmosphere, there’s room for a short organ solo, for a wild, fiery electric guitar ride and for many other surprises... The other tracks follow without interruption forming a long suite where moments of peace and reflection are broken by violent bursts of desperate rage... “You led my spirit out of the darkness / You fed it with light / Now the icy ranks of obscurity / Take possession of my soul once again...”.


“Butterfly Song” is the first leg of an odyssey accompanied by mental demons such as the crossed-eyed gnome who comes out from the sheets of another city in the frenzied “Trasfiguratofunky” and melts back in a sad rain. Then you have to cross the stream of notes and the vortex provoked by the mysterious power of absence evoked by the ethereal, hypnotic atmosphere of “Negative”. Next comes “Just Cannot Forget”, a short passage half way between free jazz and musique concrète leading to the narrative vocals of  “Flash (short–lived neorealism)”... “I love to listen to baroque music from four to six a.m. / Wet streets are deafly lit by the traffic lights...”. You have to walk through the mists of a troubled night following a path that leads to the lucid madness of “Clamores horrendos ad sidera tollit” where you can listen to a monologue that recalls the late Area’s vocalist Demetrio Stratos... “To be or not to be? / Neither one nor the other...”. In “Vacuum Fluctuation” echoes of Heisenberg’s philosophy bounce around you while you risk to lose the contact with reality following the charming notes of a violin coming from east...


“Re-awakening” starts by the dreamy notes of the flute and acoustic guitar, but the dream is still disturbed by a relentless flux of thoughts... You’re worn out, dried up! The experimental “Isteroctomia” concludes the album bringing an ephemeral and disquieting peace...   

Well, it’s very difficult to describe this excellent work where the absurd walls which  usually divide the music genres are completely smashed down. Maybe the beautiful, dark artwork by Giulio Casagrande depicts the atmosphere of this album better than my words...

You can read the complete interview with Alessandro Serravalle HERE

Garden Wall: Assurdo (2011). Other opinions:
Raffaella Benvenuto-Berry:  If I had to use a single adjective to define Assurdo, I would call it unpredictable. While far too many albums and individual songs seem to endlessly reproduce the same structure, the 10 compositions featured on Garden Wall’s eight CD take the listener on a veritable rollercoaster ride that will leave all but the most open-minded rather bewildered, as well as drained. To say that Assurdo is not an easy listen would be an understatement: spanning a wide range of influences and moods, each song conceived as a mini-suite in many different movements, and providing a canvas for Alessandro Seravalle’s amazing vocal gymnastics, the album is an exercise in deconstruction rather than a showcase for cohesive compositional standards... In any case, adventurous listeners will find a lot to appreciate in Assurdo, one of the most intriguing albums released in 2011, and one that definitely deserves more exposure... (read the complete review HERE)
Guillermo Hernandez Urdapilleta: This is a great album by Garden Wall, highly recommendable but I warn you, don't judge at the first listen, you have to give it more chances before you truly enjoy it. Then you will not regret... (read the complete review HERE).


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Monday, 26 September 2011

FRIULI - VENEZIA GIULIA

Until 1918 Trento, Bolzano, Gorizia and Trieste were part of the Austro–Hungarian Empire. So, now we cross an inmaginary bridge and go to TRIESTE, the far east of Northern Italy, on the border with Slovenia, a city loved by the Irish writer James Joyce who taught English here between 1904 and 1920. From Trieste, that now is the capital of the Italian autonomous region FRIULI-VENEZIA GIULIA, there comes Gino D’Eliso (MySpace), a singer-songwriter who in 1976 released a very interesting album with strong prog influences, Il mare. He is still active today and is working on a new album.


This city is also home to composer and guitarist Alfredo Lacosegliaz, who in the late seventies played in a short-lived project called Ensemble Havadià closely related to the Stormy Six’s label L’Orchestra. He’s still active with a solo career and a new project called the Alfredo Lacosegliaz Patchwork Ensemble (Official Website) that should be of interest to prog folk lovers. In 2010 they released an album called Pan duro and in 2011 another interesting one, Hypnos.



The most famous contemporary prog band from Trieste are Rhapsody Of Fire (Official Website), influenced by heavy metal and classical music. There are also other interesting prog bands here such as the metal influenced Sinestesia (MySpace) and Notturna (MySpace) or the more original J’Accuse..! (MySpace) who in 2008 released an excellent debut album on Mellow Records, Abbandono del tempo e delle forme.


Other local prog bands and artists are the prog-pop Proteo (MySpace), the “klezmer prog” Passover (MySpace), the neo prog of the young multi instrumentalist and composer Luigi De Santi (ReverbNation), the experimental solo project of composer Sandro Glavina called L’Uomo e l’Ombra (ReverbNation), the prog-jazz Funambolique (MySpace) and Frequency On Border (MySpace) and the heavier Soundrise (MySpace).




Not far from Trieste heading north along the border with Slovenia we reach GORIZIA, on the banks of the river Isonzo, home to Cooperativa del Latte, the psychedelic I Salici (Reverbnation) and a very interesting emerging band called Il Fauno di Marmo (Facebook), formrly known as The Rebus (MySpace). We can now cross the old border between Austria-Hungary and Italy and go to UDINE which in the past gave us a project called Nascita della Sfera. The current prog scene of this city features bands such as the jazz-rock Assolo di Bongo (Official Website) and So What (MySpace), the classically influenced Quasar Lux Symphoniae (Official Website), the folk prog La Munglesa (MySpace), the metal influenced Syderal Overdrive (MySpace), the instrumental jazz folk Démodé (MySpace), the the psychedelic Aiperion (MySpace) and Haab Cycle (MySpace), who were born from the ashes of another psychedelic band called Astral Loom (MySpace).


South of Udine, there is Cervignano del Friuli, near the ruins of the ancient Roman city of Aquileia, home to the neo prog Linea Nazca (MySpace) and two metal influenced bands, the young Azure Agony (MySpace) and the veterans Garden Wall (MySpace), a band that have been active since the late eighties. In 2011 Garden Wall released a very interesting new album on Lizard Records, Assurdo.


We conclude our visit to Friuli-Venezia Giulia in Pordenone with the symphonic prog band Barrock (Official Website), the prog jazz pianist Remo Anzovino (Official Website) who in his latest album Igloo collaborated with PFM’s drummer Franz Di Cioccio, the jazz prog Iz Quartet (Facebook), the psychedelic Iperico (MySpace), the experimental, raw Inter Nos (MySpace), the prog metal Pathosray (MySpace) and the folk prog Tarantàs (MySpace) and Orchestra Cortile (MySpace).