Showing posts with label Il Tempio delle Clessidre. Show all posts
Showing posts with label Il Tempio delle Clessidre. Show all posts

Tuesday, 28 September 2021

PLAY AND ILLUSION

Il-ludere, the third album by Genoese band Il Tempio delle Clessidre, was released in 2017 on the independent label Black Widow Records with a renewed line up featuring Elisa Montaldo (keyboards, vocals), Fabio Gremo (bass, classical guitar, backing vocals), Giulio Canepa (electric and acoustic guitar, backing vocals), Mattias Olsson (drums, percussion, keyboards) and Francesco Ciapica (vocals). It confirms all the good qualities of the band’s previous works delivering an excellent brew of vintage sounds, crisp melodies and freshness. The title is a kind of calambour, a pun mixing the words illusion and play that gives an idea of the musical content while the enigmatic art cover by Elisa Montaldo adds a touch of mystery and surprise... 



The short opener “Le regole del gioco” (The rules of the game) sets the atmosphere by a sound of footsteps in the background, then you can hear a voice giving instructions in English to set up your stereo to get the maximum enjoyment from your listening experience... It leads to “La parola magica” (The magic word), a beautiful piece that evokes the memories of children fascinated with words in a time when words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells, not frustrating, annoyingly elusive clusters of letters... Well, this short quote from Lightning, a novel by Dean Koontz, can give you an idea of the subject matter while the music and lyrics try to take you back in time, in a purer world where dreams can come true and you can believe in magic...

“Come nelle favole” (Like in the fairy tales) is another track full of positive energy that evokes the power of fantasy to overcome the frustrations of daily grind and find new harmony and new strength. Then it’s the turn of the dreamy “Dentro la mia mente” (Inside my mind) that tells about words, lyrics and how the inspiration can come like a lightning out of the blue if you really look for it inside your mind...
 


“Spettro del palco” (Spectre of the stage) is darker and tells in a operatic, theatrical way a story of passion, jealousy, betrayal, murder and remorse. On a virtual stage inside his mind, the protagonist relives again and again the tragic moment when he stabbed to death his woman and failed to kill her lover... Then, the melancholic “Prospettive” (Perspectives) depicts in vivid colours a misty night spent walking under the city lights trying to escape from a raw, smothering reality.

The title of the following “Manitou” refers to the spiritual and fundamental life force in the Native American theology and here the music and lyrics evoke the breath of freedom, the call of the wind and a timeless quest for truth and astral balance... Next comes “Nuova alchimia” (New alchemy) that depicts apocalyptic sceneries and warns about the risks of a future where men feel like gods and are free to manipulate life. Here technology becomes a dangerous, transcendental art... 

Il Tempio delle Clessidre 2017


“La spirale del vento” (The spiral of the wind) starts by a dreamy piano solo pattern, then the music and lyrics unfold between illusion and reality alternating reflective passages and heavier sections, taking risky spiritual paths towards dark horizons... Then a bonus track closes the album. “Gnaffè” features the guest Andrea Montaldo on percussion and comes from the 2016 Colossus-Musea themed compilation album Decameron – Ten Days In 100 Novellas (Part III). It’s a track with a very theatrical approach that tells in music words the story of a prank...

On the whole, an excellent album and a real must for every Italianprog lover.

You can listen to the complete album HERE

Il Tempio delle Clessidre: Il-ludere (2017). Other opinions:
Michael Aussie-Byrd-Brother: Il Tempio delle Clessidre have crafted a work of highly intelligent, weightier and more challenging material here that demands constant time and multiple re-listens to grasp the subtlety and intricate details, which is far more satisfying than instant thrills that don't maintain over time. It ultimately means that `Il-ludere' is another first-class effort from one of the shining stars of modern Italian progressive rock... (read the complete review HERE)

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Monday, 2 February 2015

CELEBRATING MOTHER NATURE

Alienatura is the second album by Il Tempio delle Clessidre and was released in 2013 on the independent label Black Widow Records with a renewed line up featuring Elisa Montaldo (keyboards, vocals), Fabio Gremo (bass, classical guitar, backing vocals), Giulio Canepa (electric and acustic guitar, backing vocals), Paolo Tixi (dums, backing vocals) and Francesco Ciapica (vocals). After the excellent eponymous debut album, the old vocalist Lupo Galifi left the band to join the reformed Museo Rosenbach and Francesco Ciapica stepped in proving that in Italy there's no shortage of excellent singers. All the good qualities of the band's previous album are confirmed here, the overall sound is a wonderful mix of vintage sounds and new ideas and all the compositions are convincing and well performed. Somehow the beautiful art cover by Alessandro Sala depicts in a very effective way the content of the music and lyrics inviting you to wander under the moon, looking for the right balance between your every day life and an alien nature that the contemporary society can't understand.

Alienatura - art cover

The beautiful opener "Kaze" sets the atmosphere. It's an instrumental track with a touch of exotic mysticism where you can hear lost, distant sounds and voices still blowing in the wind. In fact, kaze is a Japanese word that means wind and the music flows away with many changes, carrying you from east to west, from Oriental waves to echoes of native American rites... By the way, on this track you can hear for a moment the voice of Yoshiko Kase, a Japanese friend of the band and a passionate prog fan.

Next comes "Senza colori" (Colourless) that depicts in music and words a man on the edge of a deep personal crises who reflects about his past errors. Slowly part of him gets lost in the spiral of time, his memories get blurred and his hopes melt, suffocated by an oppressive reality. The mood is dark, but never say never! Even when his world seems crumbling down his inner will is still pulsing and pushes him to find a balance to repair what's wrong and to look for that kind of madness that's called Truth...

Il Tempio delle Clessidre 2013

"Il passo" (The step) is another great track that describes a man who's falling down, betrayed by his self confidence and his desire of adventures. He was walking in the mountains, now he can remember nothing but the sound of his steps in the void and the wind blowing around him. He's scared and the night is coming down. Nobody will find him, lost in a solitary ravine, injured, surrounded by the desperate roots of the trees and naked rocks. His rage burns inside his chest as he shouts for the last time... Oh, what a lucky man he was!

"Fino alla vetta" (Up to the mountain top) is about hiking in the Alps and tells in music and words about the spiritual experience of a day spent in touch with beautiful, breathtaking panoramas, far from the daily grind. At dawn you can walk to the top breathing fresh air and listening to the melodic sound of soft rain drops falling on the trees until you get lost under a spell, led by the moon, free from the chains of civilization, in harmony with Mother Nature...


On the dark, nightmarish "Onirica possessione" (Oneiric possession) the music and lyrics describe in a theatrical way a very troubled night. As the veil of darkness comes down you fall asleep in a vortex of obscure thoughts, then your mind begins to fly across scary, bleak landscapes. You're filled with a strong sense of fear and risk to get lost, eternal prisoner of your madness and of your ill dreams. Then you see a creek in a wood and clear water flowing. Maybe there's another reality, you try to go forward to touch the illusion of a life after death while your thoughts fall down like autumn leaves... But soon you realize that your feet are sinking in the quicksand, the burden of your pain makes you heavy, the curtain opens and a crazy, dramatic play begins... In the last section you can hear the suggestive call of a demon and his false promises interpreted by Elisa Montaldo.

"Notturna" (Nocturnal) is a short, dreamy piece where you can fully appreciate Elisa Montaldo lead vocals. Here the music and lyrics depict arcane rites of cosmic harmony under the moon and a myriad of dancing stars, an ethereal celebration in honour of a pagan goddess who speaks of mountains, trees, rocks and of a world where your soul is free to fly high...

Elisa Montaldo 2013

The magnificent epic "Il cacciatore" (The Hunter) concludes this excellent work in a perfect way. It's divided into five parts and tells the story of a hunter who gets lost in the forest following the tracks of his pray. He's tired, stranded, injured. Who is the pray now? When he meets a wolf he's almost helpless, ha can't use his bow and arrow anymore. But the wolf is merciful and protects him. At last he repents, he understand that shooting down an innocent life is pointless and cruel. So, he becomes a new man who's finally aware of the importance of living in a perfect balance with Mother Nature... Well, a nice fable and another great track!

On the whole, this is really a wonderful album, full of passionate melodies, mellow symphonic passages and a pinch of melodramma. I think that this is a real must for every prog lover! Anyway, judge by yourselves: you can listen to the complete album HERE

Il Tempio delle Clessidre: Alienatura (2013). Other opinions:
Paul Fowler: The sound is rich, warm and full with some incredibly powerful moments alongside the more reflective elements. After a few plays the sometimes subtle and complex melodies really grab you. It's not always immediate but persevere and you'll be rewarded with a fantastic body of work... (read the complete review HERE)

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Thursday, 26 July 2012

THE MUSEUM OF THE HOURGLASSES


Il Tempio delle Clessidre is an Italian prog band from Genoa that began life in 2006 on the initiative of Elisa Montaldo and Gabriele Guidi Colombi (two musicians who previously had been both members of a band called Hidebehind) who met with veteran Stefano “Lupo” Galifi, vocalist on famous Museo Rosenbach’s album “Zarathustra” and later rock-blues singer in local cover bands. The first line up was completed by Massimiliano Costacurta and Corrado Bronzato. The name of the band means “the temple of the hourglasses” and was inspired by the title of a part of Museo Rosenbach's suite “Zarathustra”. The initial idea of the band was to play on stage the whole album “Zarathustra” with the original singer using vintage sounds and new arrangements, then turn to the composition of original pieces in the same vein. After some line up changes, in September 2010 the band released an eponymous debut album on the independent label Black Widow Records containing only original pieces. The present line up features Elisa Montaldo (keyboards), Stefano “Lupo” Galifi (vocals), Fabio Gremo (bass), Giulio Canepa (guitars) and Paolo Tixi (drums).


The main sources of inspirations of the band are the prog masters of Rock Progressivo Italiano, not only Museo Rosenbach but Banco del Mutuo Soccorso, Locanda delle Fate and Il Balletto di Bronzo as well (just to name a few!), but the album is very rich in ideas and in my opinion sounds fresh an convincing. The art cover by Maurilio Tavormina in some way describes the content of the music and lyrics drawing a surreal panorama where time and space are blended with dreams and hopes.


The short, sumptuous instrumental opener “Verso l’alba” (Towards the sunrise) sets the atmosphere describing in music a restless night and leads to “Insolita parte di me” (Unusual part of me), a piece about the risks of an escape from reality. The warm, heartfelt voice of Lupo Galifi draws a dreamy landscape under a crescent moon, a dark road that drives a struggling soul right down into reality. But reality can be unpleasant and you are tempted to go back into the world of dreams thanks to absinthe or other substances, crossing the doors of perception... “As if my mind was running at light-speed / I go over the present and I enter the unknown...”. Soon you realize that all you can feel is filtered by deception and by the ambiguity of your brain, then the rhythm rises while slapping keyboard waves suggest anxiety and confusion. “I'm overwhelmed by incomprehension / Everything vanishes into the nothingness of empty glances...”. You can't escape from reality and all your efforts are vain. If you can't live you can't be happy and if you keep on trying to overcome reality you risk to loose yourself...


Next comes “Boccadasse”, an amazing track inspired by a beautiful place. In fact, Boccadasse is the name of a picturesque old mariners' neighbourhood in Genoa... “Suddenly the sunrise lights up / The fresh breeze is lightened by the pale sun...”. At dawn you can admire a magnificent landscape and your eyes are caressed by the colours of the tiny houses and of the narrow alleys. A sail on the sea becomes a metaphor of your feelings, then comes the rain and you can listen to its sound and to the cries of the seagulls. Time passes by and you can't move until dusk when the small beach shelters the people who look for an inspiring place to let their thoughts run free... “The sail flows / It ploughs the sea coming up to you / Its wake paints your soul and runs after your memories...”.

“Le due metà di una notte” (The two halves of a night) begins softly. The atmosphere is dreamy and calm. The night is falling down while the last rays of sun shine like slivers of opal in the dark. Reality slowly fades out while sweet dreams start dancing around you... “Now magic keeps the spell of every moment written into the eyes / My heart is shivering inside me...”. The sun rises, it slowly creeps in... “Come on, run fast, follow me / Don't be scared, trust me / We shine like stars in the sky / While we are waiting for the sun, my life...”. Then the rhythm rises and the music brings in a positive energy painting the colours of the day.


“La stanza nascosta” (The hidden room) is an introspective track where memories slowly flow covering time and space. Under an imaginary curtain you try hard to find out what your mind can't discover. Your eyes shine like fire into the mirror while you observe the leftover of your mediocrity fading away. You try to pursue your spiritual experience and your mind takes off running after dark planets of crazy ideas. You can find what you have always been looking for in a hidden room that lies just one step beyond reality... “There are different dimensions / Their doors are invisible / A few people know / Many people dream suffocating in worn-out pages...”.

“Danza esoterica di Datura” (Esoteric dance of Datura) and “Faldistorum” form a Gothic suite that tries to evoke a Sabbath with witches singing and dancing in the night. The first part is instrumental but in the booklet you'll find some verses taken from William Shakespeare's Macbeth that help to explain what the music is about... “Double, double toil and trouble / Fire burn and cauldron bubble / Cool it with a baboon's blood / Then the charm is firm and good...”. The second part features a narrative part provided by the special guest Max Manfredi, a well known singer songwriter from Genoa... “In the end the sky lights up / The dance transform the souls into light... This is the night / This is Samhain!”. An impressive church organ solo concludes the suite.

“L’attesa” (The waiting) is tense and dark. It's about the need to wait for something better. “Lost in time / I live every moment looking for order, lucidity / I'm hanging on, I'm shaking in the void of this darkness without ideas...”. Sometimes a bit of poetry or a dream of freedom that comes true can change your mood and you can see the light of a new day shining in the dark... “A raw torment burns in my heart / My desires feed it / But as if it was rising from the dust / A thought lights up in me from oblivion / It spreads out, it grows with me...”.


The long, complex “Il centro sottile” (The thin centre) begins with a delicate piano pattern. The atmosphere is dark but full of nuances. Time passes by, day after day, night after night. Every time at night the darkness seems to erase the deceptions of reality but after the night there comes another day and nothing changes, there's no way out... “I'm losing my soul tonight...”.

The last track, Antidoto mentale” (Mental antidote), is featured as a bonus track and you can find it on the vinyl version of the album. It's a short, joyful melodic track that concludes this excellent work with a gust of optimism... “I've understood that to run away I have to trust the wind, the music and my soul / Now it's time to live again everything I lost / And to smile at all the things that don't have any power against me any more...”.

Il Tempio delle Clessidre: Il Tempio delle Clessidre (2010) Other opinions:
Jim Russell: This debut should break through the RPI fan community into the wider prog-rock community, because it is a title that will hold appeal for any fan of classic progressive rock. The majority of the music is quite beautiful and I would say holds most appeal for those who love refined and melodic progressive rock, as opposed to the wild and crazy, abrasive stuff. This title has everything in one package: Sweeping, majestic compositions filled with passages of great beauty and dramatic overtones; a vintage sound approach but with great audio quality; highly proficient and energetic performances on bass, guitar, and drums; extended instrumental passages which allow the guitar and rhythm section to work up some gorgeous themes... (read the complete review HERE)
Raffaella Benvenuto-Berry: Blending the warmth and melodic flair of the Mediterranean musical tradition with the driving energy of rock and the artistic ambition of prog, Il Tempio delle Clessidre’s debut deserves to be hailed as one of the standout releases of 2010, and one of the most promising albums to have come out of Italy in a long while. While taking their cue from the music produced in the Seventies – and, thankfully, not pretending to reinvent the wheel – the band manage to sound fresh and up-to-date, and not a mere exercise in nostalgia. A flawlessly performed, lovingly presented effort, Il Tempio delle Clessidre will surely bring a lot of listening pleasure to the many fans of Italian progressive rock... (read the complete review HERE)
Conor Fynes: There's no denying; the album is one of the best progressive rock albums to have come out of Italy since the '70s. One minor gripe I might have with the album is that it is stylistically very similar to much other symphonic progressive rock, but its strength lies simply in how much it is able to do with the sound, on an emotional level... (read the complete review HERE)

Read the interview with Il Tempio delle Clessidre at Progarchives. Click HERE

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