Showing posts with label The RedZen. Show all posts
Showing posts with label The RedZen. Show all posts

Sunday, 29 December 2013

A COLOURFUL SOUL

SoulenginE were formed in Milan in 2007 on the initiative of guitarist Ettore Salati (who is also a member of RedZen and of the Alex Carpani Band) and keyboardist Fabio Mancini who had just left their previous band, The Watch. Later the line up was completed by bassist Nando De Luca and drummer Giacomo Pacini and the band began to work on new compositions blending vintage sounds and new ideas with a wide range of influences going from progressive rock to jazz, from fusion to psychedelia. After a hard work, in 2012 they released their first full length album on the independent label Ma.Ra.Cash Records, Mind Colours, featuring a nice art work by Davide Guidoni that in some way tries to catch the spirit of this work, a variegated mix of musical colours and dizzy reveries. The album is almost completely instrumental but never boring and the all the members of the band showcase a great musicianship.


The excellent opener “Polheim” begins softly with a strummed acoustic guitar pattern and a dark organ background, then the rhythm rises while keyboards and electric guitar begin to embroider charming melodic lines. Polheim (Home at the Pole) is the name that Roald Amundsen gave to his camp at the South Pole when he reached it with his expedition on December 14, 1911 but this piece was also used to comment Dante Alighieri's immortal poetry in the Musea's tribute to his Divine Comedy. In particular, this track is related to the verses of Purgatory – Canto VI, where the Sommo Poeta compares Italy to a vessel without a pilot in a storm, a country that has became savage and unmanageable on account of the greediness and selfishness of its political class. Anyway, close your eyes and let the music drive! You're embarking on an adventurous musical journey through time and space.


Next comes the dreamy “Third In Line” featuring delicate piano passages and a spicy flavoured finale, a kind of oriental delight. It leads to “Rain Flower”, sprinkled with Latin rock echoes that could recall Santana, then it's the turn of the calm, jazzy “On The Other Side”, an evocative piece full of soft nuances.


The atmosphere of the following “Down The Street” is nightmarish and tense. It depicts a personal crises and features English lyrics written by Ettore Salati and Ettore's brother Giorgio (a.k.a. Joe Sal) on vocals. It is linked to “No Way Out”, a nervous, short instrumental. Then comes the dark “No Rewarding”.

SoulenginE 2012

Asleep” is another piece featuring English lyrics and the guest vocalist Joe Sal. It's a reflective track that draws the imagine of a man who has to get out of his dreams to take his responsibilities... “I've been asleep / And I never thought how could it be / To be awake / See the light, feel the sounds...”. It leads to the beautiful conclusive track, “Challenge To An End”, a long, complex piece featuring another guest, Davide Gandino, on flute. Well, on the whole I think that this is very good album that it's really worth listening to. Have a try!

You can listen in streaming to the complete album HERE

SoulenginE: Mind Colours (2012). Other opinions:
Thomas Szirmay: A magnificent and compelling debut, SoulenginE is a crew to follow, perhaps eschewing the microphone altogether and forging an all-instrumental future, proving once again the majestic artistic creativity emanating form the "boot". Perhaps the loveliest artwork cover in recent decades only adds to their charm... (read the complete review HERE)
Jerry Lucky: Mind Colours is a very well crafted set of tunes. SoulenginE can clearly play, and they play well together. Needless to say if you enjoy symphonic prog with an Italian flavor I strongly recommend you investigate SoulenginE. Mind Colours features some great music and some excellent playing... (read the complete review HERE)

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Friday, 30 November 2012

MARBLES IN THE SAND

The RedZen began life in Milan in 2009 on the initiative Roberto Leoni (drums), Ettore Salati (guitars) and Marco Schembri (bass), three former members of The Watch. After some jam-sessions as a trio, keyboardist Angelo Racz joined the party while some months later Marco Schembri left the band and was replaced by another experienced bassist, Nicola Della Pepa. In 2011 with this line up the band released their debut album, “Void”, on the independent label Ma.Ra.Cash Records. Well, first of all I have to say that the overall sound of The RedZen is quite different from The Watch, a band that nowadays sounds even “more Genesis than Genesis”. In some way all the tracks are the fruit of a collective work and of long jam sessions, the influences of the musicians range from jazz to metal, from fusion to progressive rock and the final result is a tasteful, colourful musical cocktail where all these ingredients are mixed together.


The artwork by Alessia Giangrande depicts an exotic landscape and a cluster of gigantic marbles in the sand. In my opinion it sets the atmosphere for the opener “Cluster”, a lively track with the keyboards in the forefront where you can imagine an hypnotic celebration of the nature with a light bird flying high and making evolutions in the air.


With the following “Hot Wine” the party goes on, the rhythm takes off and you can imagine a beautiful woman from Tokyo dancing in a deep purple dress among the tables of crowded venue while the band is jamming. “Slapdash Dance” is in the same vein, with a touch of Oriental mysticism and bright colours. Next comes “Alexa In The Cage”, in my opinion the weakest track on the album. It was previously included in the "Dante's Paradiso" compilation released in 2010 by Colossus/Musea and features the vocals of the guest Joe Sal with English lyrics about a troubled relationship.


The excellent “Into The Void” begins softly, the atmosphere is dreamy and the music leads you on a long trip through time and space. Then the ambiguous “Who's Bisex” takes you back on earth with its frenzied, swinging pace and pulsing bass lines. The following “Return To Kolkata” begins with the sound of a sitar and evokes a long journey to India full of surprises and dramatic musical landscapes. On the next “Spin The Wheel” there's a sound of hooters in the background and an electric guitar arpeggio suggesting fiery, infernal developments with the hell's bells ready to ring. An instrumental version of the aforementioned “Alexa In The Cage” concludes the album. On the whole a very interesting work from a band with a great potential!

The RedZen: Void (2011). Other opinions:
Olav Martin Bjørnsen: Those who like instrumental progressive rock that covers relatively vast ground in terms of expression, are able to appreciate and enjoy fluent compositions with a strong improvised feel, and like their music to be fairly challenging yet accessible should find this band and their debut album to be a fascinating acquaintance, well worth exploring. A fine initial effort by a talented band, and one I hope we will hear more from in years to come... (read the complete review HERE)
Jordan Blum: Void suffers from problems that are all too common in the genre today—namely, that while the musicianship is impressive, there isn't any newness to it. So much of Void sounds the same onto itself—not to mention quite similar to countless other artists in the field—that the tracks have almost no individuality... (read the complete review HERE)

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