Showing posts with label La Torre dell'Alchimista. Show all posts
Showing posts with label La Torre dell'Alchimista. Show all posts

Thursday, 20 December 2012

LOVE AND MYTHS

“Neo”, the second studio album by La Torre dell’Alchimista, was released in 2007, six years after their beautiful debut eponymous work. The line-up is slightly changed and now it features Michele Mutti (keyboards), Michele Giardino (vocals), Davide Donadoni (bass) and Michelangelo Donadini (drums, percussion). During the recording sessions they were helped by some guest musicians that enriched the sound of the band providing guitars, sax, violin and flute and the result is really good. La Torre dell’Alchimista sound is definitely “keyboard driven” (Michele Mutti plays acoustic and electric piano, Hammond C3, Minimoog, organ, synth and Mellotron) and blends strong classical influences with prog-rock and Italian melody. Good also the art cover (painted by Michele Mutti) and the booklet containing some particular pictures and the lyrics. This work could recall bands as Le Orme, PFM and BMS but it’s not too derivative and it’s really worth listening to. “Neo” is conceived as a concept album describing the end of a love story in an original way, through a continuous parallelism between personal feelings and the images taken from ancient myths. The lyrics are not banal and it would be very unfair to define this work as just dealing with Greek mythology...


The opener “Dissimmetrie” (Asymmetry) condemns conformism and hypocrisy. Jumping keyboards and sax play joyfully around while the lyrics compare people who do not dare to fight for a change in their everyday life to the Golem, an artificial monster with the form of a man created from clay by magic charms or sacred words, an image taken from Jewish folklore. “You are like a shapeless drop of water / You are evanescent / Invisible fade-out / You don’t leave traces of yourself... You are just souls of clay / Who fly away without dignity / You are just souls of clay / Who live in hypocrisy... I look at you and I can see / The curtain of noise / That shelters you / From the external world / Sounds of plastic / Words and shouts...”. If you disregard the opinion of the hypocrites and their false smiles, you can dare and fall in love with a beautiful and dangerous woman... And find trouble!



The dreamy outro of the first track leads to “Medusa”, a complex piece in four parts (Faith, Fugue, Chorale, Samba V) that was inspired by the mythical character of an unfortunate woman raped by Neptune in Athena’s temple. After the rape, Medusa’s long hair was turned into snakes by the goddess and she was given the power to turn anyone who dared to look directly at her into stone. According to the myth, the head of Medusa was cut off by Perseus who looked at her through a mirror-like shield. Once cut off, the head maintained its power and was at last placed at the centre of Athena’s Aegis as a symbol of her power. The music perfectly fits the lyrics with well balanced changes in moods and rhythms that blend prog rock, classical music and melodic vocals... “You, who confound my thoughts / On the shield of knowledge / Reflected image, You don’t scare me / You, who confound my thoughts / You turn into stone the stupidity / Of the people who stare at you / The men who lived with you are stones now / The heart that loved you beats no more... I won’t follow you, I’m free now...”. Well, a complex, dangerous and charming woman indeed! One who can drive you crazy dancing samba and who could be very difficult to forget...

“Idra” (Hydra) is a short instrumental interlude for piano solo that leads you to the first part of the long, complex “Risveglio, Procreazione e Dubbio” (Awakening, Procreation and Doubt) where, after an amazing instrumental prelude, nice melodic vocals come in to change atmosphere. The lyrics depict some experiments to overcome the split-up where you can find shadows and wasted days fading out until your arms will fall and wings will take their place to let you fly on the horizon just before falling back with your doubts... “So I feel like the father of an unknown son, scared by these signs / If the giant rides the dwarf / How can his arms carry that weight?... Idra, Cerbero and Medusa were born from waking-hours not from sleep / And they devour the remnants of my greatness... And suddenly, I lose myself...”.


“L'Amore Diverso” (The Different Love) is another short instrumental for piano solo that leads to “Cerbero” (Cerberus), an intricate track in three parts (Promenade, The Three Heads, The War Against Hydrogenous). The sound of a piano leads you softly to the gates of madness... Cerberus is the name of the three-headed monster hound guarding the entrance to the Greek Underworld. No-one can enter or leave without getting past him... “Six eyes, six shouts, you are everywhere I turn my eyes / Six times you promise, but seven times you disappoint / You are blood, you are tears but no sweat!...”. The music is haunting, swinging from frenzied keyboard rides to calm, romantic violin melodies... Well, the nightmares that rise when a love story comes to an end can really haunt you like omnipresent ghosts. Trying to fight them could bring dangerous side-effects and for your soul it could be destructive as an atomic war... “It’s my rage, it’s your craziness / To win, to lose, what’s really important? / A hot wind blows now / My breath is dying / My way to think about the future is dying...”.

La Torre dell'Alchimista live in Trieste 2008

The last track “Risveglio, Procreazione E Dubbio Pt. II” is another beautiful complex piece in three parts (Epilogue, Coda, Farewell) where you can find a nice flute passage and even some echoes coming from “the court of the Crimson King”. The lyrics deal with the awareness of past errors and the condemnation of arrogance, haughtiness and pride... “Time that has joined us is already splitting us / But how slowly moves the time of the split-up! / Like a leaf in the wind / You are going away from here / Leaving my body naked / The image of your diversity remains / You are like a wave, you slowly wear out / You used to confound my thoughts / Now you’re going away / Leaving a void and a closed speech...”. A beautiful farewell for an excellent album!
La Torre dell’Alchimista: Neo (2007). Other opinions
Erik Neuteboom: La Torre Dell'Alchimista has made a lot of progress on their new album and especially the vintage keyboard aficionados will be delighted! (read the complete review HERE)

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Sunday, 4 March 2012

CHARMING ALCHEMIES

La Torre dell’Alchimista is an Italian prog band from Bergamo that was formed in 1997 by Michele Giardino (vocals, acoustic guitar), Davide Donadoni (bass) and Michele Mutti (keyboards) who were later joined by Norberto Mosconi (drums) and Silvia Ceraolo (flute). The members of the band managed to shape their own original compositions following the great tradition of classic Italian prog bands as PFM, BMS and Le Orme while adding their own personal touch and an up to date sound. Their eponymous debut album was released in 2001 by Kaliphonia and the result is excellent.

La Torre dell'Alchimista

The beautiful opener “Eclisse” (Eclipse) features piano, drums, organ and flute leading to a tense and “dusty” atmosphere... “The air is filled with human fear / Drums run after the beating of the hearts... A blade writes on my belly the scream of the people / And the impassive stone drinks blood and vigour...”. The lyrics depict a human sacrifice during an eclipse of the sun. Well, when listening to this track try to imagine the scene of the sacrifice in the 2006 Mel Gibson film “Apocalypto”... Anyway the acoustic guitar brings a sense of hope in the end...  “A new light is rising / And it will heat pale and frail shapes...”. A kind of soft, delicate awakening after a nightmare!


Next comes “Delirio (In Do Minore)” that is full of “crazy energy”, while the third track “La torre dell'alchimista” (The Alchemist’s Tower) is a kind of timeless musical journey featuring many changes in mood and tempo: the lyrics tell of a kind of pilgrimage towards a place where you can come out from madness... “Step after step your goal is nearer / You have walked along the fields / And the voice of the river was leading you... Now your journey has come to an end / Here they cure every illness / Now you are in the right place / That’s the alchemist’s tower... Master, cut away the stone / My name is Lubbert Das / I come from a village in the plains / Beyond the river, beyond the walls / I come to cure my folly / Your fame is great / Even far away from here...”. Probably - in the booklet there’s no reference to it - the lyrics were inspired by a painting of Hieronymus Bosch, “The Extraction of the Stone of Madness (The Cure of Folly)” where you can find the words “Meester snyt die Keye ras - myne name is Lubbert Das” (Master, cut away the stone – my name is Lubbert Das). At length, however, this piece sounds just like another wonderful “musical painting” and the voice of Michele Giardino is like a brush adding touches of colours to the music!


“Il Volo” (The Flight) is a soft, dreamy acoustic ballad featuring nice flute work. The lyrics and music try to depict an imaginary flight over a beautiful Irish landscape, “beyond the horizon that you can never reach” and in “fogs sweet as honey”. A nice track followed by “L’apprendista” (The apprentice), a piece full of energy and “brio” that was built upon a theme taken from a symphony for organ by Camille Saint-Saëns... “My world has got a soul too / Simple laws, fragile signals...”. Then the organ introduces “I figli della mezzanotte” (The Midnight Children), another good track featuring a mild, particular Middle-Eastern flavour... “For every snake there is a staircase... Victim and master of my time / I will live inside a tired body...”.


“La persistenza della memoria” is a short, classically inspired piano solo, a delicate interlude that precedes “Lo gnomo” (The gnome), another beautiful classically inspired track where flute and keyboards play joyfully leading you to a fantasy world... “Once upon a time there was a merry spirit / Owner of the wood / Master of the river / He used to live serenely in an enchanted mushroom / Sleeping, smoking and drinking his wine...”.

The  last track, the melancholic and  introspective “Acquario”, is a perfect finale for an excellent album... “Liquid world lost in a drop / That patiently shapes nature again / While time slowly passes by / And in the water everything is silent / I can hear only my voice...”.
La Torre dell’Alchimista: La Torre dell’Alchimista (2001). Other opinions:
Conrad Leviston: If an Italian retro-prog band sounds good to you on principle, then this album is a safe bet. Time signature changes, keyboard pomp without circumstance and solid songwriting are the order of the day here. And, to my pleasant surprise when I went back to review this album, it appears to have grown on me... Despite all the dissenting opinions, this album deserves to be seen for what it is: not necessarily original, but a well-crafted album nonetheless... (read the complete review HERE)

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