Showing posts with label Pholas Dactylus. Show all posts
Showing posts with label Pholas Dactylus. Show all posts

Friday, 3 December 2021

A SACRED MARRIAGE

After a long period of hibernation (more than forty five years!), in 2019 Pholas Dactylus reappeared on the Italian prog scene horizon with a new album entitled Hieros Gamos. It was released on the independent label AMS with a line up featuring three original members, Paolo Carelli (vocals), Rinaldo Linati (bass, acoustic guitar) and Maurizio Pancotti (piano, keyboards) along with two new musicians, Csaba Papp (drums) and Tobias Winter (guitar). This album represents a bridge between the past and the present of a band that is still able to blend music and words with great personality and poetical force. The beautiful artwork by Tiziano Crisanti in some way tries to depict this concept... 
 

The album opens with the long, complex title track, “Hieros Gamos”. The title refers to Greek mythology and indicates a sacred marriage that plays out between a god and a goddess. It’s dedicated to the memory of original Pholas Dactylus’ drummer Giampiero Nava who passed away in 2014, as the band was planning the reunion and sound like a heartfelt, poetical elegy. The goes through many changes in mood and rhythm while the lyrics evoke images and memories of a lost friend and build a bridge that does not divide, a bridge over destiny, a bridge over a morning cloud that binds light and darkness, life and death... A wonderful track! 
 
 
The second part of the album, entitled “Ognuno da lande diverse” (Everyone from different lands) sees the separate contributes of the three historic members of Pholas Dactylus. The first two come from Rinaldo Linati that composed and played “A Personal Gift” and “Yellow And Blue” with his acoustic guitar in a style that might sound closer to that of Leo Kottke (but not up to that level) than to the Italian prog tradition. 
 
Then it’s the turn of four short tracks by keyboardist Maurizio Pancotti. The first one, “I Don’t Want...” features a bluesy piano solo with narrative vocals by Solange Menegale who recites one of her poems (half in English and half in Italian) dealing with a problematic relationship and the difficulty to express feelings with words and to comprehend each other. “Ogni volta che tocco il tuo viso” (Every time I touch your face) follow in the same vein with the narrative vocals of Solange Menegale reciting another romantic poem on a crepuscular piano background. The dreamy “Ninna nanna per Gianluca” (Lullaby for Gianluca) and the classical inspired piano solo “Une valse pour nous” close the space reserved to the pianist. 
 
Pholas Dactylus, 2017

The poet Paolo Carelli ends the album with “Ballata di un mercante di sogni” (Ballad of a merchant of dreams), a piece that features just narrative vocals, sound effects, a drum roll and some touches of piano in the background. Of course, words have their rhythm, their evocative power, a visionary force that can stir your emotions and make you dream of unknown worlds… 
 
On the whole, an excellent album for the first part while the second one sound to my ears more like a filler and I fear it could be disappointing for prog fans. 
 
You can listen to the complete album HERE
 
More info:

 

Thursday, 2 December 2021

A VERY STRANGE CONCERT

Pholas Dactylus came from the province of Milan and were formed in the early seventies. The band’s name was inspired by the scientific name of a shell and the line-up featured Paolo Carelli (vocals), Eleino Colladet (guitar), Valentino Galbusera (keyboards), Maurizio Pancotti (keyboards), Rinaldo Linati (bass) and Giampiero Nava (drums). They had a good live activity and in 1973 they released a very particular album for the independent label Magma, “Concerto delle menti” (Concert of the minds), a conceptual work based on a visionary, apocalyptic poem by Paolo Carnelli. Soon after the album was released the band split up and it’s a pity because their experimental verve deserved more credit. Pholas Dactylus’ sound is challenging, swinging from jazz rock to quiet, pastoral breaks, from hard rock guitar riffs to psychedelic rides. The album is conceived as a long suite and the music flows away without interruptions linking together the spoken parts. Here words are like notes and the music is a perfect background for evocative recitative vocals describing nightmarish landscapes and declaiming ominous prophecies...

 


The album opens with a spoken introduction that sets the atmosphere... “You are going to take a tramway, in awhile you’ll be on an old battered tramway-wagon looking like you after a black, empty, paranoiac day... For a while the speed will be the same as usual... You’ll touch the shoulder of the passenger on the seat beside you to ask him something... And you’ll realize with immense despair that he’s nothing but a heap of rags... You’ll call the driver and you’ll see nothing but the face of the mind’s death... Your only way out will run through the windows of the wagon but then you’ll realize that the usual panorama is slowly changing... Houses, cars and people will take the shapes, the colours and the smells that your mind will suggest... Your tramway will take off and will drive you through dimensional doors... At this point you’ll be ready to accept what Pholas Dactylus have already accepted long time ago... We are not alone in the universe!”.
 
Drum rolls, then the music starts taking a winding path featuring nervous jazz rock touches and leading to a calm piano pattern from where tense narrative vocals soar describing a world that is turning upside down, where flowers turn into seeds, insects turn into larvae... “The poet digs with iron claws in the sands of a sinking desert... In the throat of Moses all the words he spoke come back like smoke / Cain’s blade leaves the wound and Abel is resurrected from the dust / Pilate can’t find his tongue / Judas climbs on the tree where he was hanging / Lucifer flies away from the earth roaring / Christ falls back into his death / Adam’s rib is back while a woman is crying inside his hip... A melted sun in chains of greedy thirst feeds the first day with the last one...”.
 
Then the tension rises, the rhythm takes off and the vocals grow more and more passionate and intense while drawing strong images that seem to come out from a psychedelic trip... “Walking on the roofs of dead houses / I realize that my pockets are full of sand / Blue sand from a desert of amethyst / In my nostrils there are seeds of belladonna and cannabis... You, meaningless little men, half-buried by a rain of black tarantulas / You, who think you are all right over there / Tell me, why shouldn’t I travel beyond the doors of another dimension?... What can you understand if I tell you that a stone opens and a flower comes out from it?... I see a long queue of human beings, naked and faceless... I see trees with black leaves... I see buildings swinging on the ground... I see scarlet abysses, golden mountains... From the sea gigantic periscopes are coming up... But I’m feeling good... Yes, I’m fine and nothing else matters!”.
 
After a short instrumental break the vocals come back, full of caustic rage... “The idiots are looking at us and they don’t know what to do... An enormous terror will grow and gas will spread everywhere... The planets of our galaxy have melted into a single block, into a single cluster of fire...”. The music becomes hypnotic, almost mystic featuring frenzied guitar riffs and spacey keyboards... “How many lives cut off, meaningless lives... And in the sky an executioner with his court of pretty women is looking below and laughing at the people who think that is possible to escape just by purchasing another brain...”. 
 
 
Then the rhythm calms down while the vocals take a prophetical tone and describe the apocalyptical advent of six iron angels coming down from the sky. The angels can’t speak, see or hear because they’re without mouths, eyes and ears... The first one will spread his limbs on the ocean that will become black while needles of sun will puncture the breasts of the earth provoking putrefaction and death... The second one will put his roots into desert lands becoming the tree of trees... The third one will go down into the abysmal ditches slaughtering the monsters of an imaginary sea... The fourth one will use a straw of alabaster and will suck up every kind of drugs... The fifth one will prevent the awakening of the colossus with feet of clay and the sky will be obscured by ships of platinum while millions of animals of every kind will be absorbed by the solar well and each one of them will be sent to a different star... The sixth angel will rebuild the Atlantic tower and finally on earth only one language will be spoken... “Then He will come down like rain on the streets / And there will be peace on earth until the disappearance of the planets... He will rule, that’s what I say to you!... And the fate of followers of Baal will be doomed!”. 
 
After a calm, pastoral instrumental interlude the recitative vocals resume their prophetic tone and say that what has been narrated earlier is nothing but the start of a new walk... “Our goal will be joining forever with the peoples who are already waiting for us / And dipping with them into the universe of the universes, into the dimension of the untouchables / And once arrived we will arise and die again and again in different forms / Since the body could be one, ten, hundred, thousand, billions... but the mind is only one!”. 
 
Spacey sounds and hints of a fiery tarantella lead to a spectacular accident... One of the ships of the sands is wrecked on the blue dunes and electric guitar and jazzy piano passages describe the scene... Masked men and women drown in the sand and then fade away into an orange cloud that turns black, then the thunder of Death... “A death that is not death because there was no life before...”.
 
The music stops for a moment, then a sound of sea waves... The music starts up again and the rhythm becomes frenzied... You can listen to people shouting “I buy and sell second-hand brains!”, then a new vision comes out from the mist... Tiny sea creatures were weaving on your body a soft carpet swarming of life, life that was slowly leaving your limbs and your lungs... when, suddenly, a faint light rose at the bottom of the black maelstrom of fear and a white shining lily blind your consciousness and someone throws you into a desert of black pearls... “Time and space have disappeared!”.
 
The music flows with sudden changes in mood and rhythm while the vocals depict other nightmarish visions... On the shoreline a bearded man collects rubbish while the sea stinks of oil, there’s no wind and the sea is full of dirty wrecks and useless objects... A red monk is preaching and a green little girl is dancing to the rhythm of the sea... A little boy of stone with a broken arm tells of a slaughter of white doves and of human skins stretched under the sun to dry... “And at the same time His eye / Above the cells full of larvae kills! Kills! Kills! Merciless He kills... Then He picks up the corpses and throws them into a burning abyss... Then new lives, new bodies, new minds will fill the earth... Then demons dressed in white will spread a new light, light coming from new worlds... Damned souls of the cosmos, forever impressed on the front of...”. 
 
The last word is cut off, the vision is suddenly interrupted and the album comes abruptly to an end. Apocalyptic visions dealing with nuclear disasters, pollution, war... Science fiction or poetry? You can like or dislike this work, but it’s undeniable that it’s definitely unique and original...


 

You can listen to the complete album HERE
 

Pholas Dactylus: Concerto delle menti (1973). Other opinions: 
Jim Russell: Daring and truly original in a genre often wrongly accused of simply following the lead of others, this album is a must for Italian fans and will likely move onto my top 25 Italian list. For its ability to merge controlled tension with borderline chaos, to merge a heavy darkness with other section of pure musical fun... I believe it would easily appreciated by fans of Osanna, Cervello, or RRR, also Gentle Giant, maybe Zappa and Gong fans as well... (Read the complete review HERE)