Showing posts with label Savona. Show all posts
Showing posts with label Savona. Show all posts

Thursday, 6 February 2025

ANOTHER TRIP

 Now The Time Has Come is the second album by The Trip’s new course started in 2015 on the initiative of original drummer Pino Sinnone who took over the name and brand (initially as The New Trip) to keep alive the old repertoire of the band. While the previous work from 2021, Caronte 50 Years Later, was mainly focused on the re-interpretation of tracks from the early years of the band, this new album is based only on original pieces and fresh ideas. The consolidated line up features Pino Sinnone (drums), Andrea “Ranfa” Ranfagni (lead and backing vocals), Carmine Capasso (guitars, sitar, theremin, percussion, drums), Tony Alemanno (bass) and Andrea “Dave” D’Avino (Hammond, piano) plus the guests Nico Di Palo (vocals), Max Botto (Hammond, Moog, Mellotron, piano) and Giuseppe Sarno (Hammond). This work is not a concept album but in some way follows the atmospheres of The Trip’s second album from 1971, Caronte. The beautiful art cover by Lidia Grillo tries to give an idea of the musical content...
 
 
The album opens with the excellent instrumental “Joe’s Spirit”, composed by Max Botto and dedicated, as you can guess from the title, to The Trip’s original keyboardist and founder member Joe Vescovi. It’s a brilliant piece with many classical quotes and changes of rhythm. The atmosphere is dark, the organ is in the forefront backed by the rhythm section and everything works to help you cross the Styx on Charon’s boat...
 
 “Fragile Mimì” is sung in Italian and is dedicated to the memory of late Italian pop singer Mia Martini, an old friend of the band who had a love affair with Joe Vescovi in the seventies. It’s a delicate, intense ballad who evoke the sublime melodies that the singer was able to create with her voice. Described as sad and fragile, Mia is now just another star in the sky, a light in the darkness who has chosen to hide to find shelter from the judgements of malevolent people... 
 
 “Enigma” is another beautiful instrumental piece. It begins by threatening bass lines and dark organ sounds, then the drums and fiery electric guitar riffs break in contributing to build up an atmosphere of mystery and distress, perfectly suited to evoke a strange walk in the underworld where you can meet the souls of the dead...
 

 
 “Il mio capitano” (My captain) is dedicated to the memory of Pino Sinnone’s older brother, Rino. It’s another touching ballad interpreted by the particular voice of the special guest Nico Di Palo, historic member of New Trolls. The music and lyrics evoke an indelible memory emerging from the past and depict the image of two little children in the cold, lost in the snow. One of them shows his courage helping and comforting his younger brother...
 
 Unfortunately, in the following ballad “Two Friends” the vocals turn to English. The music and the hermetic lyrics tell of a surreal friendship where music is the real protagonist... Then comes the intense “Four Lives”, a piece dedicated to the late members of the band, Joe Vescovi, Wegg Andersen and Billy Gray. Pino Sinnone is the only surviving member of the original line-up but he feels that his former bandmates are still with him while he plays to keep their memory alive...
 
The Trip, 2023
 
 The autobiographical “Momento Prog”, despite the Italian title, is sung in English and sums up the spirit of this work. It’s a piece that starts by telling about the birth of a child's passion for rock music and drums, then recalls with puns based on the titles of the songs from the early years the experience and passion of playing together in a band like The Trip and ends by telling about the joy of picking up the drumsticks again and starting to play again after a long period of musical inactivity... 
 
 The album closes with an alternative version of “Il mio capitano”, sung this time by Andrea Ranfagni and considered a “bonus track”.
 
 On the whole, a very good work.
 
 You can listen to the complete album HERE
 
More info:

 



Wednesday, 29 January 2025

A FURIOUS TRIP

The first reunion of The Trip ended in 2014 after keyboardist and original member Joe Vescovi passed away. Drummer Furio Chirico gave up and from 2015 on the name and brand of the band has been in the loving hands of Pino Sinnone, drummer on the first two albums of the seventies. Nonetheless, in 2019 Furio Chirico decided to come back to the old repertory of the band with a new line up and with the main idea of continuing to open new paths through research and experimentation, without any nostalgic approach but staying true to the most genuine “progressive rock” texture. In 2022 the new course took form under the name Furio Chirico’s The Trip (to avoid confusion with the other current incarnation of the band) and released an interesting album entitled Equinox with a line up featuring, along with Furio Chirico (drums), also Paolo Silvestri (Hammond, synthesizers, vocals), Giuseppe Lanari (lead vocals, bass) and Marco Rostagno (guitars, vocals).
 

The opening track, “I’m Fury”, was composed by keyboardist Paolo Silvestri who dedicated it to his new band leader. Furio Chirico is here free to express his explosive, virtuosic and brilliant drumming, interacting with the organ and the other instruments in an exemplary way. The rhythm is fast, the atmosphere is full of emotion, the new trip begins...
 
The following “Mother Earth” deals with environmental issues and global warming. The music and lyrics depict a gloomy, arid landscape were you breath sand and ashes. Water is rare and precious, it looks like a Holy Grail. The countdown has begun, time is running out, Mother Earth is dying while we waste our energies in pointless discussions instead of trying to save her...
 

The beautiful “A Suite For Everyone” is a long, complex piece that blends baroque influences and psychedelic visions. It starts softly, the atmosphere is dreamy and relaxed. Then the rhythm takes off and the music goes through many changes. It’s time for memories and reflections about the time spent running after freedom, music, friendship, love and dreams. To be honest, the music is excellent but the vocal parts are not always up to the task and I think it’s a pity that the band did not choose to sing in their mother language. After all, Arvid “Wegg” Andersen was English but the new singer is not...
 
“Catch The Dreamin’” is a good track where the music and lyrics revolve around the concept of carpe diem, the necessity to seize the day and try to make your dreams come true when you have the chance because life is short and nothing can last forever...
 
“Downward Onward” tells of a personal crises. Boredom, drug addiction and bad habits could push you to lock your dreams and even your whole life in a closet, so you fall down. But sometimes joyful memories can do the trick and reverse the course of a life fathomed to doom. The image of your mother appears. She’s here to support and comfort you with her adorable tenderness telling you that you can go on and make it...
 

The acronym of “The Reason Inside Playing” is T.R.I.P. It’s a piece dedicated to the late bassist, vocalist and founder member Arvid “Wegg” Andersen and to the early days of the band. According to an interview, the lyrics of this piece were conceived as a kind of wordplay and the man in black they mention is, of course, Ritchie Blackmore who was part, for a short period, of the very first nucleus of The Trip...
 
The instrumental “Summer Solstice” was composed by guitarist Marco Rostagno and, according to the artist, it’s conceived as a story told by the voice of the lead guitar, imagining the sun that, in its maximum splendour, defeats the darkness, generating a true rebirth. The fiery electric guitar sound is in the forefront and the interaction with the other instruments is pretty good...
 
“Remember Joe” is dedicated to the late The Trip’s keyboardist and founder member Joe Vescovi. It begins by a church like organ section, a kind of requiem that might recall Bach, then the vocals evoke images from Atlantis and a call for a Time Of Change, beautiful sounds from the past that last in the memory of the music lovers. The final organ pattern fades in the last track, the short, dreamy instrumental “Story Of A Friend”...
 
In addition to the CD, this work also includes a DVD with the recording of the live performance at the Salone Internazionale del Libro in Turin on May 23, 2022 where the members of the band showcase all their potential on stage. The set list features three songs from the new album, a selection of tracks from the 1972 album Atlantide, and a piece from the second album from 1971, Caronte.
 
On the whole, a very good work.
 
You can listen to the complete album HERE
 
More info:
 


Friday, 5 November 2021

NEW TRIP

After the split up of The Trip in the mid seventies, Joe Vescovi, Arvid “Wegg” Andersen and Furio Chirico met again in 2010 for a reunion and played together at the Prog Exhibition in Rome. The new course went on with a concert in Japan in 2011 but the death of Andersen in 2012 marked a first stop. Vescovi and Chirico with two new members, Fabrizio Chiarelli (guitar, vocals) and Angelo Perini (bass), kept on their live activity but when the keyboardist passed away in 2014 the drummer gave up... In 2015 original drummer Pino Sinnone took over the name (initially as The New Trip) gathering around him a bunch of talented musicians to keep the repertoire of the band alive and the ne incarnation of the band has been active since then.
 
 
In 2021 The Trip released Caronte 50 Years Later on the independent label Ma.Ra.Cash Records with the new line up featuring Pino Sinnone (drums), Andrea “Ranfa” Ranfagni (lead vocals), Carmine Capasso (vocals, guitars, sitar, theremin), Tony Alemanno (bass, backing vocals) and Andrea “Dave” D’Avino (Hammond, piano, backing vocals) plus the guests Christian Sinnone (drums) and Antonio Capasso (Harley Davidson on “Two Brothers”). It was homely recorded during the lock-down and consists in a new version of the 1971 album Caronte, interpreted with philological passion and an updated sound. The art work was taken from some illustrations by Austrian painter Joseph Anton Koch (27 July 1768 – 12 January 1839) inspired by Dante’s Inferno and perfectly reflects the subject matter...
 

 
The album opens with a short new piece entitled “Acheronte”. The name refers to the river that in Greek mythology was depicted as the entrance to the Greek Underworld and where souls had to be ferried across by Charon. It starts by recitative vocals declaiming some verses from Dante’s Divine Comedy. It’s a nice introduction to the new versions of “Caronte I”, “Two Brothers”, “Little Janie”, “L'ultima ora e Ode a Jimi Hendrix” and “Caronte II” that follow showing all the good potential of the band and the qualities of the musicians involved in the project.
 
 
After the journey through hell and the meeting with the damned souls of the two easy riders, Janis Joplin and Jimi Hendrix, the album closes with the new versions of other two historic pieces sung in Italian, “Una pietra colorata”, originally released in 1970 on the first eponymous album, and “Fantasia”, originally released in 1970 as a single and taken from the soundtrack of the film Terzo canale - Avventura a Montecarlo. The music and lyrics of the last one perfectly fit the subject matter describing a vision of the afterlife and a visit to Paradise... 
 
On the whole, a good album. It's a perfect exercise of style for the new line up and, after the re-appropriation of the old repertoire, I hope this band will manage to compose original music in the future.
 
You can listen to the complete album HERE
 
More info:

Thursday, 4 November 2021

LAST TRIP

Time Of Change is the fourth studio album by The Trip and was released in 1973 on the independent Trident label with a confirmed line up featuring Joe Vescovi (keyboards, vocals), Arvid “Wegg” Andersen (bass, vocals) and Furio Chirico (drums, percussion). The overall sound is characterized by stronger classical and jazz influences than in the past and there’s more room for solo piano passages and acoustic moments...
 
 
The opener “Rhapsodia” is a long, complex and fragmented track that fills all the first side of the LP. According to wikipedia, a rhapsody in music is a one-movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations... This description, in my opinion, perfectly fits this piece where the music and lyrics evoke dreamy landscapes and infinite skies. Here you can set your imagination free and take off for a flight in a perpetual, timeless motion, dancing along the sounds coming from a distant town. You’re close to the edge and nobody can catch you in your playful illusion... Well, probably the colourful art cover can describe the content of this long track better than all my words.
 
 
The lively instrumental “Formula nova” (New formula) opens the second side of the LP and could recall Emerson, Lake & Palmer. It begins by a jazzy incipit with the piano in the forefront and frenzied bass lines, then, after a drum break, the organ takes over leading to a pyrotechnic finale... Next comes another instrumental track, “De sensibus” (the title, in Latin, means “about the senses”) that starts by the sound of church bells and powerful drum rolls and features a disquieting atmosphere with a particular ethnic flavour and a great percussion work...
 


The following “Corale” (Chorale) brings an almost liturgical atmosphere dominated by a church-like organ and strong classical influences. In fact, the title refers to several related musical forms originating in the music genre of the Lutheran chorale while the music and lyrics invite you to break free from the jail of a meaningless life and look up for joy and peace... Then the instrumental “Ad libitum” closes the album. It’s a piece for piano solo where Joe Vescovi seems just exploring the possibilities of the instrument going from classical to jazz, from blues to ragtime...

After Time Of Change drummer Furio Chirico left to form Arti & Mestieri while the others tried to get on with the help of Osage Tribe's drummer Nunzio Favia. Unfortunately, the band gave up some months later, when Andersen was injured in an accident. Joe Vescovi then joined Acqua Fragile for a short time at the end of 1974 and later both he and Favia joined Dik Dik. As a consequence, The Trip and their music went under the radar for a very long time... Until 2010! But this is another story...
 
You can listen to the complete album HERE
 

Wednesday, 3 November 2021

A TRIP TO ATLANTIS

Atlantide is the third studio album by The Trip and was released in 1972 on the RCA label with a renewed line up featuring Joe Vescovi (keyboards, vocals), Arvid “Wegg” Andersen (bass, vocals) and Furio Chirico (drums, percussion) who stepped in after Pino Sinnone departure. Former guitarist Billy Gray left the band for a solo career and wasn’t replaced, so the band went on as a trio turning to a keyboard-driven sound that every now and again could recall Emerson, Lake & Palmer. The first result of this new course is a concept album inspired by the myth of Atlantis and dealing with environmental issues where the plot is explained by the subtitles (in Italian) while the English lyrics by Arvid “Wegg” Andersen add touches of colours to stir your imagination. The beautiful art cover by the Up & Down Studio tries to describe the complex musical content... 
 

The instrumental opener “Atlantide” (Atlantis) takes you back in time, on the sea, to show you a spectacular sunrise on the continent of Atlantis. It begins softly by a delicate piano intro, then the rhythm rises and the arms of the clock start to go backward, faster and faster. When the rhythm calms down the music conjures up a dreamy, exotic landscape...

Next comes “Evoluzione” (Evolution) where the music and lyrics describe the first signs of life on the mysterious continent and its advanced civilization where empty minds blindly follow their leader, the chosen one, a ruthless maniac who defies Mother Nature looking for more and more power...


The following “Leader” with its pulsing rhythm evokes scenes that could recall Fritz Lang’s 1927 expressionist science-fiction drama film Metropolis. The Atlantis people believe in their leader and in his promises for a better life in a future where Energy rules... Then the instrumental “Energia” (Energy) depicts the moment when Energy, the source of an unlimited, uncontrollable power, falls in the hand of the leader and his madness explodes... All men will be slaves!

“Ora X” (X-Hour) opens the second side of the LP giving voice to the madness of the leader who wants to be king forever ruling all over the world... But the thunder is approaching and Energy breaks through blowing the leader and his followers up.
 

The melancholic “Analisi” (Analysis) is a kind of elegy and in the meantime a caustic warning for the future. The illusion to harness Mother Nature crumbles as men who do not use its vital powers in the correct way are swept away by its force. A whole continent has been destroyed by greed because foolish crowds didn’t fight to be alive and free but chose to follow the empty promises of an unscrupulous, merciless leader...

Then a dark marching beat solemnly leads the way to the last two instrumental tracks, “Distruzione” (Destruction) that depicts anarchy and cataclysm and features a great drum solo, and the short “Il vuoto” (The void) that closes the album describing the last moments of Atlantis, erased from the maps and submerged by the sea. Mother Nature’s triumph is merciless and ineluctable... Beware!

On the whole, an excellent album whose dystopic concept in a time of climate changes and environmental challenges is still actual and fresh.

You can listen to the complete album HERE

Tuesday, 2 November 2021

A TRIP TO HELL

Caronte is the second studio album by Anglo-Italian band The Trip and was released in 1971 on the RCA label with a consolidated line up featuring Arvid “Wegg” Andersen (vocals, bass), Billy Gray (electric and acoustic guitar, vocals), Joe Vescovi (vocals, Hammond organ, piano church organ, Mellotron) and Pino Sinnone (drums, percussion). It’s a concept album inspired by the memory of some dead rock heroes such as Jimi Hendrix and Janis Joplin where the band blend classical influences with hard rock and psychedelia, Italian culture and American dreams, showing great creativity and musicianship. The art work was taken from some Gustave Doré’s illustrations for Dante Alighieri’s Divine Comedy, that were re-elaborated with irony and a touch of colour in a curious pop-art style to depict the content of the album... 



The instrumental opener “Caronte I” (Charon I) starts by pulsing bass lines, dark organ waves and spectral electric guitar blows that take you into the underworld, across the river of woe, where you can embark on Charon’s ferryboat like Dante and Virgil. Your journey through hell begins... “Dear Charon, thank you for the invitation to look apon a souls damnation. With us are a chosen few that we should like to interview...” (Quote from the liner notes). 



The following “Two Brothers” opens with the noise of brakes and tires on the asphalt and was inspired by the final scene of Easy Rider, the 1969 American independent road drama film written by Peter Fonda, Dennis Hopper and Terry Southern. Shots and a riderless motorcycle flying through the air, a running man desperately trying to escape from his killers, the road covered in blood, fire and flames, steel and leather... The atmosphere is dark while bass and organ weave a requiem for the dead riders, then the rhythm rises as the music and lyrics evoke the protagonists on their highway to hell... 
 

The dreamy, delicate ballad “Little Janie” opens the second side of the LP. It’s a piece dedicated to Janis Joplin and evokes her tragic fate... Next comes the long, complex “L'ultima ora e Ode a J. Hendrix” (The last hour and Ode to J. Hendrix) that conjures up the reeling shadow of the dead guitar hero in a curious mix of classical inspired organ patterns, powerful rock passages and crying guitar solos. Every now and again this piece could recall the last part of the first New Trolls’ Concerto Grosso...

Then the short instrumental “Caronte II” closes this particular journey through hell leaving up to your imagination the rest of the story...

On the whole, a very good album and one of the very first examples of Italian Progressive Rock along with Collage by Le Orme or L’uomo by Osanna.

You can listen to the complete album HERE


Monday, 1 November 2021

FIRST TRIP

Based in Savona and born in 1969 from the ashes of an English band coming to Italy looking for fortune (Riki Maiocchi & The Trips), The Trip released their first eponymous album (sometimes referred to as Musica Impressionistica) in 1970 on the RCA label with a line up featuring along with founder members Arvid “Wegg” Andersen (bass, vocals) and Billy Gray (guitar, vocals) the Italians Joe Vescovi (organ, vocals) and Pino Sinnone (drums) who stepped in after vocalist Riki Maiocchi, guitarist Ritchie Blackmore and drummer Ian Broad left the original nucleus. As you can guess from the art cover by Up & Down Studio, this is a psychedelic work with influences ranging from Vanilla Fudge to blues-rock...
 

 
The opener “Prologo” (Prologue) is an interesting instrumental track that starts by a dark organ solo passage and then goes through the doors of perception turning into something different when the rhythm rises going from bolero to blues. After more than eight minutes this piece gives way to the following “Incubi” (Nightmares), another long psychedelic track with many sparse echoes of classical music and jazzy organ passages that tells of a nightmarish, restless night haunted by crawling visions in a mad flight through the unconscious, waiting for the morning sun... 
 
 



The long, apocalyptic “Visioni dell'aldilà” (Visions from the afterlife) opens the second side of the LP and, like the previous track, despite the Italian title is sung in English. According to an interview with Pino Sinnone, this piece was inspired by some Hieronymus Bosch’s tableaux and combines dark organ passages, soaring harmony vocals and the fiery instrumental flights of a wild and free soul with coloured, impressionistic lyrics... 
 
“Riflessioni” (Reflections) is another piece sung in English mixing rock, blues and gospel and dealing with religion, time passing by and the mystery of life. The surreal, lively closer “Una pietra colorata” (A coloured stone) is the only track sung in Italian. Here the music and lyrics conjure up the image of a lonely, talking coloured stone at the bottom of the sea that eventually falls in love with another stone put nearby...

On the whole, a good album that marks the transition from beat and psychedelia to progressive rock in Italy...

You can listen to the complete album HERE


Monday, 9 December 2019

UNDER THE ASHES

Il fuoco sotto la cenere is the third album by the Savonese band Il Cerchio d’Oro and was released in 2017 on the independent label Black Widow Records with a renewed line up featuring Franco Piccolini (keyboards), Giuseppe Terribile (bass, guitar, vocals), Gino Terribile (drums, percussion, vocals), Piuccio Pradal (acoustic guitar, vocals), Massimo Spica (guitar) and Simone Piccolini (keyboards, backing vocals). During the recording sessions some prestigious guests such as Pino Ballarini (vocals, from Il Rovescio della Medaglia), Paolo Siani (drums, from Nuova Idea) and Giorgio Usai (organ and vocals, from Nuova Idea and New Trolls) gave their contribute to enrich the overall sound, firmly rooted in the past without losing touch with the present, and the final result confirms all the good qualities of the band’s previous works. The art cover by Stefano Scagni is clearly inspired by the music and lyrics and contains many, more or less hidden, hints to the tracks of this complex, intriguing work where all the pieces deal, one way or another, with the same subject: fire!


The long opener, “Il fuoco sotto la cenere” (The fire under the ashes), begins softly, with the sound of a burning fire in the background and a piano pattern that could recall Goblin... This piece describes in music and words the hidden sense of rage that slowly grows in everyone and sooner or later can burst out eluding the control of human reason. The music follow this thread, going through calm passages and sudden surges of rhythm leading to a beautiful finale in crescendo with an excellent interaction between electric guitar and keyboards. 

The second track, “Thomas” is another long, epic piece. The title refers to Thomas Farriner, a baker in 17th century London whose shop in Pudding Lane was the source point for the Great Fire of London on 2 September 1666. The music and lyrics evoke the smell of bread and the daily work at the bakery, then the raging fire, the flames spreading out, the clouds of dust in the air, the crumbling buildings and the smoking ruins under a dark sky… But Thomas Farriner managed to escape the fire and, in the end, under the ashes there’s still room for hope, there’s the will to start again and rebuild what was burnt off…


The following “Per sempre qui” (Forever here) deals with the hidden fire of nostalgia that burns in the heart of a successful immigrant. The music alternates lively passages that could recall PFM to calm, reflective sections. That’s to mark the contrast between the hectic life of the protagonist in his new homeland and the happy memories of the far village of his childhood...

“I due poli” (The two poles) begins by a dreamy piano section, then the  rhythm rises and the atmosphere becomes tense... This piece tells about a man who, looking in a mirror, can see the duplicity of his personality and feels his inner conflict emerge. Someone calls this character a clown but inside him it’s like if fire and ice were constantly fighting each other to take control over his actions. So, he feels like a flame living under the ashes...


The melancholic “Il fuoco nel bicchiere” (The fire in the glass) deals with alcohol addiction. It begins by a delicate piano solo intro, then the heartfelt vocals interpret the feelings of a lonely, desperate man who every night goes back home staggering on his feet, drunk and lost. His life is nothing but a broken dream to drink up and he feels the fire inside while the irresistible call of alcohol draws him on his way to an infernal place from where there’s no comeback...

The ironic “Il rock e l’inferno” (Rock and hell) describes in music and words a strange dream. A man falls asleep in his armchair in a house near a cane thicket in a rainy, windy night. From the sounds around him a music rises, starting from Brazilian rhythms and exotic flavours it changes into  rock’n’roll. As the man suddenly wakes up the house is on fire and he realizes that rock’n’roll and hell are almost like Siamese brothers...

The last track is the cover of a 1979 song by Ivan Graziani from the album Agnese dolce Agnese, “Fuoco sulla collina” (Fire on the hill). It’s a beautiful piece where music and words describe the dreams of a boy that clash against reality. In fact, in a summer night the boy dreams of joining a battle on the hill, he can even see the fires of the guns and hear the shots. But a man wakes him up from his reveries and points out that what he sees are nothing but the lights of the harvesting farm tractors...

On the whole, I think that this is really a great album where the band successfully blend vintage atmospheres and original ideas.

You can listen to the complete album HERE

Il Cerchio d'Oro: Il fuoco sotto la cenere (2017). Other opinions:
Andrew Cottrell: While there may not be much new here and it could be argued that the band play it relatively safe, it would be churlish to overlook how far this band has come and congratulate them on their fresh sounding, energetic approach. This fire has surely burst out from its ashen covers… (read the complete review HERE)

More info:

Wednesday, 11 February 2015

BROKEN WINGS

Il Cerchio d’Oro's roots date back to the seventies when they released some singles. After a long hiatus, the band came back to life in 2006 and in 2008 released their first full length album, Il viaggio di Colombo. In 2013 they released an excellent second work on Black Widow Records, Dedalo e Icaro, with a consolidated line up featuring veterans Franco Piccolini (organ, piano, Mellotron, synth), Giuseppe Terribile (bass, acoustic guitar, vocals), Gino Terribile (drums, gong, vocals) and Piuccio Pradal (12 string acoustic guitar, vocals) plus a new member, Bruno Govone (electric guitar). During the recording sessions they were helped by some prestigious guests such as Pino Sinnone (drums), Marin Grice (flute, sax), Giorgio "Fico" Piazza (bass), Ettore Vigo (piano), Daniele Ferro (electric guitar) and Athos Enrile (mandolin) who contributed to enrich the sound. The new work is a concept album freely based upon the myth of Daedalus and Icarus where the music and lyrics do not try to tell in an emphatic way a story that probably everyone already knows, but rather focus on the emotions and feelings of the protagonists trying to stir your imagination. Well, maybe the beautiful art work by Stefano Scagni describes the content of the album better than all my words...

art cover

The music and lyrics of the opener "Il mio nome è Dedalo" (My name is Daedalus) introduce the character of Daedalus and his challenge. We meet a proud, unscrupulous genius who is able to invent an endless array of tools and who is jealous of his secrets and of his craft. The music starts softly, then the rhythm rises following the course of a baroque vanity. At last Daedalus accepts to build a labyrinth without a way out for the king of Cnosso and the following "Labirinto" (Labyrinth) is a beautiful instrumental track that depicts this challenge trying to evoke all the difficulties of the project and of its realisation... 
 

The long, complex "La promessa" (The promise) begins with a vocal part a cappella, then the rhythm rises and goes through many changes in mood and atmosphere and you can feel desperate rage, hope and overwhelming energy. This track depicts in music an words a man betrayed but still untamed, prisoner of his work and art. Daedalus is in the labyrinth now, there's no way out, his world has begun to fall to pieces around his head but he does not accept his destiny and he's planning an escape for him and for his beloved son. He swears that he'll find the way...


Next comes the calm, dreamy "L'arma vincente" (The winning means) that describes the feelings of Icarus. He's just an unconscious, curious boy attracted by the splendour of the sun and he's sure that his bravery will help him out... Then it's the turn of "Una nuova realtà" (A new reality), a beautiful track that announces the end of the nightmare and conjures up a feeling of hope in a better future. You can dream of a breakthrough obtained defeating old taboos, soaring in the air and talking to the wind...

"Oggi volerò" (I'll fly today) describes in music and words the day of the take off and the strong, fiery emotions of the departure, a dream that comes true, flying away, higher and higher, towards the sun... Then the nervous rhythm of the following "Il sogno spezzato" (The broken dream) takes you back to earth. Icarus is falling down, his ambitions are melting in the sun like his wings of wax. For Daedalus it's time for mourn and pity, his moaning will to fly for ever... Can you hear it?

Il Cerchio d'Oro 2013

The last track, "Ora che son qui (Icaro... La fine)" (Now that I'm here - The end of Icarus), describes Icarus' final lament, his last thoughts and feelings, his regrets and his pain. Now he's in the afterlife and asks just for a flower that will bring him another bit of sunlight... Can you hear him?

On the whole, I think that this is really a great album. Of course, every now and again the influence of bands such as PFM, Le Orme, New Trolls, Delirium or the Trip is apparent, but the band managed to recreate a vintage atmosphere without sounding out of date nor derivative and the final result is impressive!


Il Cerchio d'Oro: Dedalo e Icaro (2013). Other opinions:
Michael "Aussi-Byrd-Brother": It may not have the same reckless energy, rough around the edges charm that a lot of the vintage defining releases had back in the 70's, but there is no denying it is a high quality album, full of strong melodies and terrific playing. It's also nice to hear something so upbeat and full of life, from a band that is really excited and humbled at still having an audience craving quality Italian progressive music. Definitely one for fans of the first album after a more sedate pleasing listen, and deeply romantic Italian progressive bands like Locanda delle Fate... (read the complete review HERE)

More info:

Monday, 23 September 2013

FLOWERS AND DUCKS

Flower Flesh come from Savona and were formed in 2005 on the initiative of Ivan Giribone and Alberto Sgarlato. After some line up changes, in 2010 the band began the recording sessions of their début album, Duck In The Box, with a line up featuring founder members Ivan Giribone (bass) and Alberto Sgarlato (keyboards) along with Daniel Elvstrom (vocals), Marco Olivieri (guitars) and Andrea Fazio (drums). The result of their efforts is an interesting mix of influences ranging from The Doors and Quicksilver Messenger Service to Uriah Heep, from Premiata Forneria Marconi and Le Orme to Kansas and Rush. The album was finally released in 2012 on the independent label Black Widow Records and I think it's worth listening to.


The opener “Falling In Another Dimension” is a short rock piece veined of psychedelia and full of energy that tries to take you in another space, far from the daily grind. The following “My Gladness After Sadness” begins softly, driven by a delicate piano pattern backed by an acoustic guitar. It's a long, complex track that every now and again evokes the ghost of the Lizard King and Daniel Evstrom's hieratic vocals provide here an almost mystic atmosphere. On an evocative marching beat you can see a woman's body materialize through a crystal ball... “I'm thirsty, you know / And in your eyes I can see the sea that I can't drink... The hourglass of Time stands still / We are a sinking ship / But when everything seems lost / We become energy of the universe / That's what I dream for us / You have to know it, my very sweet Mary...”. An excellent track where PFM meets the Doors. The lyrics are half in Italian and half in English and I have to say that's a real pity that the band didn't exploit more their native language.




It Will Be the End” evokes a dark night and a light in the distance on the sea, there's a desert around you where truth and lies dance in the mist while the music features a slight eighties flavour. Next comes the psychedelic “God Is Evil (Like The Devil)” that recalls The Doors. According to the band, the lyrics are about clergymen who cover with religion their wickedness. The following “The Race Of My Life” features an exotic flavour and many changes in rhythm and mood. It's another track featuring lyrics half in Italian and half in English that draw strange visions taking you beyond Moon and Time to challenge fire and wind.


Antarctica” features a slight a new wave touch and tries to describe the icy “landscape” that forms in a house when a relationship is falling apart. The last track, the complex “Scream and Die”, according to an interview with the band, is about the Soviet war in Afghanistan and quotes some verses by Arab poets from the book “Versi di fuoco e di sangue”. It's an excellent piece and a perfect conclusion for this work.

Flower Flesh: Duck In The Box (2012). Other opinions:
Jerry Lucky: Flower Flesh are a relatively new band, having started in 2005 and as such they bring an updated sensibility to the world of Italian prog. Their sound is clearly symphonic, a kind that hearkens back to an earlier time, primarily in the sound of the instruments and also in the uncomplicated arrangements. It may take a couple of listens to pick up what’s going on here, but in the end Duck in a Box is a very satisfying set of tunes. I’m liking it more and more each time I put it on... (read the complete review HERE)
Vitaly Menshikov: The band is obviously not setting out to change the world of Neo Prog – they simply make their own contribution to the genre. Nonetheless, those who prioritize rock music more based in melody than in details will likely find the album a solid success... (read the complete review HERE).

More info:



Wednesday, 26 December 2012

A GOLDEN CIRCLE

Il Cerchio d’Oro are an Italian prog band from Savona, formed during the seventies, when they released some singles but had not the chance to release a full length album. The band reunited in 2006 with a line-up featuring veterans Franco Piccolini (piano, organ, keyboards, backing vocals), Gino Terribile (drums, percussion, vocals), Giuseppe Terribile (bass, acoustic guitar, vocals), Piuccio Pradal (acoustic guitar, vocals) and Roberto Giordana (electric guitar, backing vocals). 


In 2008 they released what should be considered their real debut album for the independent label Black Widow. It’s a concept album inspired by the character of Cristopher Columbus, where the aim of the music and lyrics is to tell the story of a difficult journey full of hopes, deceptions, disappointments and fears that is also a metaphor of life where often the goal is just a new starting point for another journey. The overall sound of Il Cerchio d’Oro is clearly inspired by bands as Le Orme, Banco del Mutuo Soccorso and I New Trolls (especially in the vocal parts), but the result is very good and the song-writing is not too derivative.

The dreamy instrumental opener “Ouverture” sets the musical atmosphere and leads to the beautiful, melancholic “Sognando la meta” (Dreaming the goal). The contrast between the electric guitar and organ underlines doubts and fears before an uncertain impending future. After many efforts Columbus is going to set off and dreams of his goal... “Now I know, I’ll make it / I must believe in the dream / I’m alone in the night, a thought startles me / I already see only one image in my mind / And the goal is nearer...”. 
 



On “Colombo” (Columbus) the rhythm takes off. In Italian Colombo means pigeon and it’s ironic that a sailor has the same name as a bird. Columbus reflects on this fact and would like to be able to fly... “What an envy for the wings of the seagulls / That can exploit every wind... Sometimes during the night I dream my ships / With great wings instead of cannons / Sailing over unknown lands like kites...”.

“I tre marinai” (The three sailors) begins with the sound of the waves and of an acoustic guitar, then the vocals soar. It’s a reflective, melancholic ballad. Three sailors talk about the reasons that pushed them to embark on this dangerous journey. The first was without money and without women and now has nothing to lose, the second lost his wife and children and now tries to forget his troubles while for the third the most important thing in life is drinking wine in good company... “Let’s keep on imagining that life can change / But let’s not get our hopes up / The viceroy will make no gifts...”.
 



“Ieri, oggi, ancora niente” (Yesterday, tomorrow, nothing yet) is a complex track featuring an intro with the vocals a cappella and many changes in rhythm and mood. After one month of sailing no land on the horizon yet. Hopes, disappointments, illusions and disillusions turn the mood up and down...

“Il silenzio rumoroso del mare” (The noisy silence of the sea) is tense and haunting. It’s a complex track where the music storms and suddenly calms down, broken by short, delicate melodic passages before taking off again... “I spend all my nights looking through the stars / Listening to the creaking of my ships... I’m losing my excitement and I’m beginning to despair... I feel that there’s nobody on board that I can trust / It’s more and more difficult to hope in the noisy silence of the sea...”.




“Preghiera al vento” (Prayer to the wind) is a short, simple acoustic track that recalls Lucio Battisti, especially the vocals. It’s a kind of pagan invocation to the wind... “Oh wind! At least you, stay by my side...”.

“Tre giorni (L’ammutinamento)” (Three days – The mutiny) starts in an aggressive way, with the electric guitar and rhythm section in the forefront, then the fury stops giving way to a more reflective part... The rage of the crew grows but the captain manages to restore calm by promising that if they do not find land in three days they will turn back... “I have promised them three days and they have agreed / Now it’s my time, time of bets...”.

“Tierra! Tierra!” (Land! Land!) is a desperate ride on the wings of hope while time is running short. After a fiery beginning rhythm slows down, time stands still... Suddenly enthusiastic shouts rise and land appears on the horizon... “Land! Land! Treasure lightened by the stars / A thrill passes through my skin / The same thrill that makes the sailors shout / Land! Land! My God, forgive me if I doubted / Thanks for this joy you gave me / I know you are right and you never deceive me...”.




“Cercando l’approdo” (Looking for a landing point) is a beautiful instrumental. The tension melts and a calm melody veils the horizon leading to a happy end... On “Conclusione (Il ritorno)” (Conclusion – The return) joyful acoustic guitar chords and relaxed melodic vocals greet the return and the end of the journey. But Columbus is not aware of the importance of his discovery and of its consequences... “The whole world is going to change now / New horizons for the humankind...”.

The album features also two nice bonus tracks, the two sides of a 1977 single, “Quattro mura” (Four walls) and “Futuro prossimo” (Near future). It’s strange but these songs do not sound at all old and they fit the mood and the atmosphere of this work perfectly... “Your colour is beautiful / It recalls the sea of lost times / I don’t care if you don’t like me / I can’t die hoping to come to life again and be better than now...”.

From the book Rock Progressivo Italiano: An introduction to Italian Progressive Rock

Il Cerchio d'Oro: Il viaggio di Colombo (2008). Other opinions:
Raffaella Benvenuto-Berry: Even if not exactly an innovative proposition, “Il Viaggio Di Colombo” comes across as a mature, well-structured album that manages to capture the listener’s attention through its skilful use of melody and painstaking build-up of emotions... This is essential listening for all lovers of vintage Italian prog, and a worthwhile purchase for progressive rock fans in general... (read the complete review HERE).

More info:
http://www.facebook.com/icdoro 
http://www.myspace.com/ilcerchiodoro 
 

Saturday, 24 September 2011

LIGURIA (part 3)

Liguria is not only Genoa. East of Genoa, from the nearby city of LA SPEZIA come Gruppo Autonomo Suonatori (Facebook), Ancestry (Official Website), Muzak (Facebook), Samarcanda (Facebook) and a new promising band called Foresta dell’Equilibrio (MySpace). Then, west of Genoa, there’s SAVONA, which, during the seventies gave us bands such as Corte dei Miracoli and Il Giro Strano. The best known historic band from Savona is The Trip (Facebook), which was formed in the late sixties and reunited in 2010 for some concerts and new projects. After the death of Joe Vescovi in 2014, original drummer Pino Sinnone formed The New Trip (Facebook) to carry on the memory of the band




Another local band from the seventies, Il Cerchio d’Oro (Facebook), was recently revived and in 2008 released an excellent album, Il viaggio di Colombo. Anyway the prog scene of Savona also features more recent bands. Worth  mentioning are some of the many projects of guitarist Fabrizio Bonanno such as Equiseti and the heavier Wounded Knee (MySpace), the neo prog Flower Flesh (Official Website), Nathan (Facebook) and a young folk rock band called Il Ponte di Zan (MySpace) whose name was inspired by an old local legend about a haunted bridge. There is also an interesting contemporary band from the nearby town of Varazze, Armalite (MySpace). In 2008 they contributed to the project of Colossus/Musea, Inferno - A Progressive Rock Epic with their symphonic sound, mostly inspired by Genesis and Marillion. Another town in the province of Savona, Finale Ligure, is home to Monjoie (Facebook).




Last but not least the province of IMPERIA, on the border with France. This is the setting, in the imaginary town of Ombrosa, of Il barone rampante, a wonderful novel by Italian writer Italo Calvino. Nearby the city of Imperia there’s Sanremo, a town famous for its flowers and as host to Sanremo Music Festival, a song contest that is considered almost a sanctuary of the “canzone italiana”, the traditional melodic Italian song. Nonetheless during the seventies this area also gave us prog bands such as Il Sistema, Celeste and Museo Rosenbach (Official Website). On the initiative of founder member Alberto Moreno Museo Rosenbach began a new life in the nineties with a different line-up.




Another former member of Museo Rosenbach, drummer Giancarlo Golzi, in the mid seventies joined three former members of J.E.T. (Piero Cassano, Carlo Marrale and Aldo Stellitta) and is still active with a band based in Genoa called Matia Bazar, definitely more pop oriented. A neo-prog band called Nostalgia (MySpace) also come from this town but for prog lovers today Sanremo is above all the city of the independent label specialized in progressive rock, Mellow Records, founded by Mauro Moroni and former Celeste member and solo artist Ciro Perrino (MySpace).