Una vita migliore is the fourth studio album by La Coscienza di Zeno and was released in 2018 on the AMS Records label with a renewed line up featuring Alessio Calandriello (vocals), Gabriele Guidi Colombi (bass), Andrea Orlando (drums, percussion), Stefano Agnini (synthesizers, Moog, organ), Gianluca Origone (guitars) and Luca Scherani (piano, synth, Mellotron, Hammond organ, bouzuki) plus the guests Sylvia Trabucco (violin), Alice Nappi (violin), Edoardo Romano (sax), Joanne Roan (flute), Daniela Piras (flute), Davide Corso (sax, clarinet), Marco Callegari (trumpet), Gaetano Galli (oboe), Melissa Del Lucchese (cello), Fausto Sidri (vocals, percussion), Martina Saladino (vocals), Nicola Sannino (vocals) and Alice Scherani (Glockenspiel). It’s an amazing symphonic rock work that draws on the tradition of the Italian historic bands from the seventies to express deep feelings shaping new pieces with an up to date sound and fresh ideas. The beautiful cover artwork, by Genoese artist Jessica Rassi, is linked to the content of the album...
The wonderful opener “Lobe iste calabu” sets the atmosphere. It’s an instrumental track that starts by a delicate acoustic guitar arpeggio and goes through many changes in rhythm driving you to unknown, dreamy realms made of sounds and emotions...
The title of the following “Il posto delle fragole” (Wild Strawberries) refers to a famous 1957 Swedish drama film written and directed by Ingmar Bergman and depicts in a surreal way stagnant memories and dreamlike flashes, poignant regrets and the new awareness of an old man, a scientist, who reflects about his past mistakes while trying to seek for a peaceful place to rest. In the end the fog dissolves from his nightmares and he can find the place he was looking for, a place to become a child again...
The lively, folksy “Danza ferma” (Still dance) begins with a strong baroque flavour. The music and lyrics try to describe the unstoppable rhythm of Time that keeps men and women in perennial movement. You can’t help it, you have to keep on dancing as memories flow back and forward and the rhythm rises while the music goes on...
“Mordo la lingua” (I bite my tongue) is a tense, melancholic piece about incommunicability. The music and lyrics evoke the image of a little, hot heart that tries to find a shelter form the storms of the outside world with no result. The protagonist drowns in a sea of adverbs and useless words, he can’t properly express himself and keeps on biting nervously his tongue. Without expression skills you risk to become invisible because a man who can’t talk and find the right way to communicate with other people is like a vanishing shadow...
“L’aspettativa del bimbo scuro” (The expectation of the dark child) is an introspective track with strong classical flavours were music and lyrics revolve around the psychological gap between what a man appears to be and his hidden desires and illusions. In every man there’s a dark side, a rebellious child that struggles to emerge on the surface from the deepest shadows of the ego. A dark, blind child that seeks for immorality and slowly retreats in face of the terror of social judgement...
The long, complex title track, “Una vita migliore” (A better life), tells in a very poetic way of a horrible family crime. The new partner of a woman, a seaman, sexually harasses and rapes her young daughter. The woman tries to protect and justify her man. The psychological impact on the girl, as you can imagine, is devastating and the music and lyrics try to depict the victim’s feelings conveying a strong sense of disenchantment and inner discomfort. The girl longs for a better life but now all her dreams are broken, her innocence lost forever...
Then, the beautiful instrumental “Vico del Giglio” closes the album. It’s a track that could recall Banco del Mutuo Soccorso without being derivative and invites you to have another spin...
On the whole, an excellent album and a must have for every Italianprog lover.
You can listen to the complete album HERE
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