Showing posts with label Genfuoco. Show all posts
Showing posts with label Genfuoco. Show all posts

Monday, 16 February 2026

FROM THE SEVENTIES

Live, as you can guess, is a live album by Genfuoco, a Siena-based group linked to the Gen movement, that was self-produced and released by the band in 2001, over twenty years after the release of their only official studio LP, Dentro l'infinito (1979). It collects some live recordings made between 1976 and 1978 by the line-up comprising Tarcisio Bratto (vocals, acoustic and electric guitar, bass, flute), Franco Cecchi (keyboards, acoustic guitar, vocals), Paolo De Luca (electric guitar, harmonica, vocals), Marco Naldini (drums), Marco Scala (percussion), Marco Borgogni (vocals, flute, acoustic guitar, harmonica), Marco Masotti (drums) and Giovanni De Luca (bass). None of the songs presented were included on the 1979 studio work and here you can listen to them for the first time. The quality of the recordings is far from perfect, but it is nevertheless a good document of the band's experience that will be of interest to fans of Italian prog...



The opener “Solo per poco” (Just for a while) is a simple ballad with vaguely Latin flavours that describes a young man feeling sad and lost after a party, but only briefly. Indeed, the young man soon returns to dance on a green meadow for an adventure in the sun: that's where the real party is, a celebration of the communal ideals of peace and freedom...

“Canzone da leggere” (Song to read) is a longer piece, with a more complex rhythm and an interesting interweaving of electric guitar and flute. The atmosphere is dreamy while the hermetic lyrics invite you to follow the path that leads beyond your dream and your walls to seek for stones sculpted by time. You follow it, continuing to retrace your steps on the fallen leaves in a dance of a thousand sounds. Without words or shouts, you untie the ropes that bind your wrists and wash away the dust that dulls your face...

“Dolce momento” (Sweet moment) is a soft ballad led by guitars and vocals that tries to evoke a moment of peace and love lost in memory while the following “Favola vera” (True fairy-tale) is a piece with vague Renaissance references that portrays an old man who told stories and children who listened to those stories to make them the game of life. It reminds me slightly of the Italian singer-songwriter Giorgio Laneve...

Genfuoco in the seventies


“Piccolo sole” (Little sun) is a dreamy, melodic piece that depicts the image of a small flower in the middle of a meadow. The flower, bathed in dew, almost seems to be crying, but once its smile is set free it shines like a little sun...

“Dentro” (Inside) is another slow and dreamy song full of nostalgia where hermetic lyrics juggle between regrets and memories to find people and sensations lost in a day out of time and space...

The album closes with two long instrumental pieces. The first, “Jam Session”, lasts nearly twenty minutes and features influences from ethnic and folk music, tinged with psychedelia and blues. Soft, relaxed atmospheres alternate with more rhythmic, edgy passages... The second, “La suite del vento” (The suite of the wind), features an ethereal atmosphere and some good flute parts. At times, it reminds me of Delirium's first album, Dolce Acqua...

On the whole, a still immature work, but not lacking in interesting ideas.

You can listen to the complete album HERE

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Saturday, 14 February 2026

INVISIBLE FIRE

Genfuoco are an Italian prog band that was formed in Tuscany in the early seventies. The members of the band were linked to the Gen Movement, a Christian movement founded in 1967 by Chiara Lubich to promote among young people from all over the world a peaceful revolution able to change hearts first and then to change society bringing everywhere the spirit of the gospels. Genfuoco started playing covers of other bands linked to the Gen Movement as Gen Rosso but later they managed to shape their own sound writing original songs in a progressive rock style that could recall bands as PFM, BMS or Le Orme, with a good use of flute and sax. The line-up featured Marco Borgogni (vocals, flute, guitar), Tarcisio Bratto (sax, guitar), Franco Cecchi (keyboards), Paolo De Luca (guitar), Giovanni De Luca (bass) and Marco Naldini (drums). They had a good live activity all over Europe in the “Genfest circuit” and, after a self-produced demo-tape called “Antichi confini”, in 1979 they released an interesting album for the Catholic label Città Nuova, “Dentro l’invisibile” (Inside the invisible). The album was mainly distributed through Catholic bookshops and almost completely “out of the market”. Luckily the independent record label Mellow Records re-released the album on CD in 1992. The sound quality is not perfect, nonetheless the music is really worth listening to...



The calm, dreamy instrumental opener “Ouverture” sets the atmosphere. It begins with a solemn marching beat, then pastoral acoustic passages and delicate melodies played by keyboards, electric guitar, sax and flute follow in a perfectly balanced way...

“Dalla tana” (From the burrow) is darker and disquieting. It describes a strange dream, a stroll through a blurred past where ancient scimitars on the stones of a temple reflect the light and mummies lurk in the shade. “I painted with my thoughts / What the dark lacks...”.

The reflective “Traspare” (It shines through) is about the ephemeral values of everyday life and the need to look for a more spiritual way of life... “Who are you? / Things turn around you... It shines through / Night and day / You leave your footprints on the sand / Well, they are already vanishing into eternity / Forever...”.

“Terra promessa” (Promised Land) is a complex track in two parts, inspired by the Holy Bible... “On the sand / In the silence / The infinity is a breath that goes / A few men are staring / They are walking on their footprints / The night is falling / Slow steps, hopes and distress / Tears in the void / Many years have passed by / And sweat dug the faces / But they keep on walking...”. Never give up! Beyond the hills a virgin land and a new story is waiting... A percussion passage with a Latin flavour seems to set a happy end for people who don’t lose hope...



Next comes the meditative “Galassie” (Galaxies). The music starts softly, featuring acoustic guitar and a soaring sax solo, then the rhythm takes off. The lyrics invite you to the contemplation of the stars and constellations under a sky of glass. Just try to think about the mysteries of the cosmos... “Lost in paradise / Hanging in space / We’re walking in a fabulous reality... Now we’re gliding below / We fall into a vortex / We’re getting lost in the dark / The dream is coming to an end... Let’s take back our time!”.

“La serenata del fiume” (The serenade of the river) is a beautiful acoustic ballad that streams away in a fairy tale atmosphere. Once upon a time the Earth was generous and the water pure... “Like water that flows relaxed on the river / And dance while carried away / He will gather all the flowers for you / The flowers on the bank that have the same colour as the moon...”.

Last comes the title track “Dentro l’invisibile” (Inside the invisible), my favourite piece on this album. It begins with a spacey flavour, as if coming from the dark side of the moon... “Here you are / The King is there / Fragile flower in a muddy desert / In the night, alone, without anything / Hanging in the emptiness of the cosmos... It’s the absurd, the separation, the cry, the scream / Loneliness, moments of death... Who will be able to read in the invisible? / Who will sit on the throne of deliverance? / Who will dig beyond the abyss of the ego / And then will find himself inside us?”. Well, the influence of Pink Floyd here is clear but the band managed to shape an original, intense track full of spirituality.


You can listen to the complete album HERE

More info: