L'enigma
della vita (The enigma of Life) is the third album by Logos, an
Italian prog band from Verona that was formed in 1996. It was
released in 2014 on the independent label Andromeda Relix with a
renewed line up featuring Luca Zerman (organ, Mellotron, synthesizer,
vocals), Fabio Gaspari (drums, bass), Claudio Antolini (piano,
keyboards, synthesizer) and Massimo Maoli (guitar) plus some special
guests as Alessandro Perbellini (drums), Simone Bistaffa (guitar),
Simone Chiampan (drums) and Gianbattista Bodei (narrative vocals). A
long time has passed from their previous work Asrava, from
2001, but during all these years the band never stopped and kept on
working on the new compositions, refining them, recording them
without pressure nor hurry, with care, determination and love. The
result is an excellent concept album conceived as a long suite about
the life, nature and time passing by, a mature work where the band
showcase great musicianship and personality blending vintage sounds,
poetry and new ideas. Well, the beautiful artwork by Luca Zerman and
all the images that you can find in the booklet perfectly fit the
poetical strength of the lyrics and the evocative power of the music: probably they can help you to understand the concept better than all my
words...
The
dreamy opener “Antifona” is a short instrumental track that sets
the atmosphere and fades in the following “Venivo da un lungo
sonno” (I was awakening from a long sleep) where a pulsing rhythm
conjures up the image of a night train running through dark shadows
and ethereal, lunar landscapes. In a wagon a passenger wakes up at
the noise provoked by a drought against the curtains. He emerges from
a long sleep and can hear some people nearby speaking in a foreign,
unknown language. It's still dark, the mysterious passenger has
forgotten his destination and now he's on his way leading to nowhere,
lost in the mist...
Logos 2014 |
Next
comes the disquieting “In fuga” (Running away) where the music
and lyrics draw the image of some soldiers in the snow. They're
running away from the battlefield seeking for freedom. Their life is
hanging on a thin rope while around them the storm is raging... The
following “Alla fine dell'ultimo capitolo” (At the end of the
last chapter) is filled with tension and dark visions and depicts an
empty town where a fugitive man looks for a shelter from the storm.
He walks alone among ruins and crumbling walls but he can feel
something in the air, the streets seem haunted by strange presences.
Suddenly he sees a dim light glimmering through the dust, a pale
flame of life and hope. A ghost gets close to him and tells him to
keep that flame burning...
“N.A.S.”
is a charming instrumental track that every now and again reminds me
of Le Orme and Banco del Mutuo Soccorso and makes me think of a
glider taking off towards distant planets where there are rivers of
lava and creatures generated by earth and electricity. It leads to
the ethereal, reflective title track, “L'enigma della vita” (The
enigma of life), where the music and lyrics raise questions about the
origin of life: was it just the result of vibrating atoms clashing
against each other at random or rather the mathematical product of a
superior maker? The answer is hidden inside every man but we can't
catch it, we keep on running after forces that we can't understand
and we are always left in doubt, wandering in the dark and trying to
learn how to overcome our ignorance, in vain...
“In
principio” (In the beginning) is a long, complex track about the
mystery of creation and the relativity of time. It starts softly by
an acoustic guitar arpeggio, then goes through many changes in mood
and rhythm taking you on a mystical trip across the universe. Stars
and planets come to life and die as the men who claim to be the
masters of the universe. The wisdom of a superior hand carved and
shaped indescribable forms and painted the deserts with infinite
colours, gave life to rivers and human beings... In the beginning
there was nothing, from nothing we came and we're bound to return to
nought...
“Completamente
estranei” (Completely aliens) takes us back to Earth. This track
starts by painting haunting notes in deep red colours and conveying a
strong sense of tension... Here the music and lyrics depict a little
tunnel that opens on a side-walk corner. It's the entrance to the
hidden part of the city where live the homeless and the poor. The
people who pass every day by that place never notice it, they can see
distant stars and planets but not the unfortunate men and children in
rags who live underground. For them they're nothing but transparent
aliens coming from another world...
“In
quale luogo si ferma il mio tempo” (Where my time stops) is a
melancholic, classically inspired instrumental track for piano solo
that leads to the epic “Pioggia in campagna” (Rain in the
country), a complex track that depicts in a very curious way the
relationship between man and nature. The lyrics draw a parallelism
between a man and a feather floating in the air that the first gust
of wind will sweep away. He can hear what the leaves on the trees
have to tell, he can see how the nature takes his revenge on the
wrecks of old cars and trucks that are collapsing in a field, covered
by grass and already half-swallowed by the marshy ground... No one
can save men and their work from the imperceptible fury of time! The
following “Il rumore dell'aria” (The noise of air) closes the
circle. It's a short track featuring narrative vocals that takes you
back to the starting point, to a man emerging from a long sleep. We
can't say how long he had been sleeping, maybe centuries or
millennia. We don't know where he fell asleep, maybe under an oak in
springtime or on the bank of a river in winter. We can't say when
time stopped, all we know is that it was the noise of the air to wake
him up and that perhaps he had not been sleeping more than a
minute...
You
can listen in streaming to the complete album HERE
Logos:
L'enigma della vita (2014). Other opinions:
Michael "Aussie-Byrd-Brother": To have the musical skill and confidence
to successfully pull of a perfect mix of both vintage influences and modern styles is utterly
inspiring, and those who want to experience everything they cherish about Italian
progressive music now know one of the best bands that carries on that proud tradition... (read the complete review HERE)
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