UT New Trolls are just one of the many offshoots of historic Genoese New Trolls (like
Ibis, New Trolls Atomic System and Tritons in the seventies and later
La Storia dei New Trolls, Il Mito dei New Tolls, Il Cuore dei New
Trolls, La Leggenda dei New Trolls...), all featuring some of the old members claiming the heritage of the original band. This
project took off in 2011 under the name Uno Tempore on the initiative
of New Trolls’ historic members Gianni Belleno and Maurizio Salvi
who gathered around them a bunch of talented musicians with the aim
of reviving the “prog soul” of New Trolls, in particular
performing live pieces from the 1972 album Ut and
other material from the early seventies. In 2012 a live album entitled Live In Milano
was released under the name Uno Tempore New Trolls and in 2013 the
band with the name shortened to UT New Trolls released a brand new
studio work entitled Do Ut Des on the independent label
Immaginifica with a renewed line up featuring Gianni Belleno (drums,
vocals), Maurizio Salvi (keyboards, piano, Hammond), Alessandro Del
Vecchio (keyboards, piano, vocals), Claudio Cinquegrana (electric and
acoustic guitar) and Anna Portalupi (bass). Despite the good
intentions, I have to say that for a prog fan the fruits of their
work could have a bitter taste since the prog soul of the band here
seems to be smothered by the prevailing pop, melodic vein that is
also part of New Trolls’ DNA...
The album opens with promising short instrumental “Paganini”,
then comes “Per ogni lacrima” (For every tear), a piece about the
healing power of friendship and love that starts with a sparkling,
classical inspired, organ passage. Unfortunately, after a minute the
music veers to AOR and could remind of New Trolls’ albums like
Aldebaran rather than Ut.
“La luce di Vermeer” (Vermeer’s light) combines melodic vocal
parts and bolder instrumental passages. It’s a good piece where the
lyrics invite you to look in a different way at people who serve time
in prison because not all of them took deliberately the career of
evil but some where just doomed by an ill fate and a difficult social
condition. Even those branded with the sign of Cain should deserve
another chance and bit of respect...
The following “Oltre il cielo” (Beyond the sky) is just a melodic
ballad dealing with the need to overcome the consequences of the
traumatic end of a relationship while “Rispettare può salvare”
(Respecting can save) is a reflection about the never ending
conflicts in the Middle East and the troubled situation in Palestine.
The softer parts evoke a comet over Bethlehem and the hope that
sooner or later men will learn the mutual respect and live in
peace...
“Do Ut Des” (Give and take) is a beautiful piece, featuring many
brilliant classical inspired passages and lyrics inspired by an
absolute love for Music. Next comes “Sarà per noi” (It will be
for us) a touching, romantic ballad with beautiful harmony vocals.
Then the dreamy “Siamo ancora qui” (We’re still here) tries to
express the feelings and the emotion of the musicians on stage, even
after many years of career...
The swinging “Sporca politica” (Dirty politics) is a kind of
ranting against the politicians who waste the money collected with
taxes in their games of power but in my opinion the committed lyrics
and the carefree music are neither here nor there and this is
probably the weakest point of the album. The closer “Can’t Go On”
could be considered as a bonus track since it’s just the English
version of “Oltre il cielo” sung by the special guest Dennis "Fergie"
Frederiksen from Toto.
On the whole, in my opinion this is a good AOR album with some hints
of prog that should be of interest for fans of bands such as Toto but
that is not essential in a prog collection.
You can listen to the complete album HERE
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