In 2014 Latte e Miele released on the independent Black Widow label a
re-elaborated version their debut album Passio Secundum Mattheum
adding some sections and filling some gaps in the narrative parts.
The line up featuring Marcello Giancarlo Dellacasa (electric and
classical guitar), Oliviero Lacagnina (piano, keyboards), Alfio
Vitanza (drums, vocals) and Massimo Gori (bass, vocals) re-recorded
the album with the intention to leave the narrative parts to the
voice of don Andrea Gallo (18 July 1928 - 22 May 2013), an Italian
presbyter, founder and leader of the community of San Benedetto al
Porto of Genoa, best known for helping poor and needy people.
Unfortunately he passed away before the album was completed and
that’s why the album is dedicated to his memory. Eventually, the
narrative vocals were provided by some prestigious guests such as
Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus),
Giorgio D’Adamo (New Trolls), Aldo De Scalzi (Picchio dal Pozzo);
Sophya Baccini (Presence, Sophya Baccini’s Aradia), Alvaro Fella
(Jumbo), Paolo Griguolo (Picchio dal Pozzo), Max Manfredi, Elisa
Montaldo (Il Tempio delle Clessidre), Simonluca and Lino Vairetti
(Osanna). The new version of the opera features also a string quartet
and a choir to add more colours to the musical fabric while the new
art work is dedicated to Storm Thorgerson and tries to reflect his
style to depict the musical content. In my opinion, this new version
is far better than the original one, for many reasons...
Back in 1972, when the original album Passio
Secundum Mattheum was released, the instruments of the time, the
sound engineers, and the Italian recording studios were certainly not
up to par with those of today. Furthermore, the young band had to
compromise with their record company and limit the album's running
time by cutting some sections. The new version does justice to this
complex and intensely beautiful rock opera, recovering what was lost
and adding new sounds and nuances. The new version is the fruit of
the work of experienced musicians, aware of their abilities and
capable of shedding new light on their youthful compositions,
bringing them to completion for the listener's delight.
The new version doesn't distort the original plot or introduce any
sonic elements that might seem out of place or out of context. It's a
work that's extremely respectful of the past, yet looks to the
present and modernises sounds and melodies without sacrificing the
vintage atmosphere. In fact, for the "Toccata for Organ", a
section not included on the original album, an old recording from
1972 was used. The final result is extremely convincing and
definitely deserves a place in the collection of any Italian prog
enthusiast.
You can listen to the complete album HERE
Latte e Miele: Passio Secundum Mattheum – The Complete Work
(2014). Other opinions:
Michael "Aussie-Byrd-Brother": Some listeners may find
the constant direction changes and multiple narrated guests initially
intimidating and off-putting, but perseverance pays off perfectly for
those willing to give this work the necessary amount of plays for it
to start making sense. `Passio Secundum Matthaeum - The Complete
Work' is a gift for fans who cherish the beloved original, as well as
a sumptuous aural treat for newcomers to discover. It's possibly one
of the finest modern releases from a vintage Italian act, and comes
across as a hugely important and defining progressive rock work in
general for 2014. Italian prog doesn't come any more grand, lavish
and exquisite than this, and it's certainly one of the most
sophisticated works to appear on the Black Widow label to date...
(read the complete review HERE)

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